On Immunity: An Inoculation, by Eula Biss (Graywolf Press)

onimmunityOn Immunity: An Inoculation was one of the two nonfiction books at this year’s BEA Editors’ Buzz. At just about 200 pages, including the notes and acknowledgements, it is undaunting in length, which I hope will encourage even more people to pick it up.

Disease is defined as “any deviation from or interruption of the normal structure or function of any body part, organ, or system that is manifested by a characteristic set of symptoms and signs and whose etiology, pathology, and prognosis may be known or unknown.” But an obsolete use of the word disease is “lack of ease; trouble,” more like today’s unease. And disease certainly does make people uncomfortable: the idea of it causes mental and emotional discomfort, while its physical effects can range from undetected to uncomfortable to fatal.

Eula Biss wades into this uneasy territory, and finds companions in other writers, historians, philosophers, anthropologists, and doctors. During the writing of On Immunity, Biss – already a published author and essayist – became a mother, and she approaches the topic of immunity and vaccination from a mother’s point of view as well as a “citizen thinker’s” perspective. She acknowledges that all parents’ decisions – to vaccinate or not to vaccinate their children – come from the same desire: to keep their children safe. But it is better to make these decisions from a place of knowledge than from a place of fear, and knowledge is what Biss strives for, and shares, in this book.

Fears of vaccines do not seem easily quieted by an abundance of expert risk-benefit analyses assuring us that the good they do is far greater than the harm.

One of the first steps in the process of deciding whether or not to vaccinate is risk assessment, and yet humans are not as good at this as we would like to think. Biss quotes the historian Michael Willrich, who says, “Perceptions of risk…can be stubbornly resistant to the evidence of experts.” People engage in dangerous activities (e.g. driving, riding in, or walking near cars) every day, but the familiarity we develop with these activities dulls our fear of the associated risks. “The disregard for statistical risk,” Biss writes, “may be at least partly due to an unwillingness to live lives dictated by danger.”

Risk perception may not be about quantifiable risk so much as it is about immeasurable fear….When we encounter information that contradicts our beliefs…we tend to doubt the information, not ourselves.

Safe and dangerous aren’t as binary as we’d like to think, either; as toxicologists say, “the dose makes the poison.” But, Biss notes, “most people prefer to think of substances as either safe or dangerous, regardless of the dose.” I caught myself in this exact thought pattern a single day after I finished reading On Immunity, while I was reading about the ingredients in a multivitamin; it’s difficult to remember, but any substance, even water, can be toxic in large enough doses, and small doses of “dangerous” substances may be harmless.

If vaccination is a choice people make at the individual level (“allowing oneself to remain vulnerable to disease remains a legal privilege today”), it is also a choice individuals are making on behalf of the larger community in which they live. The author’s father Roger Biss, a doctor, explains, “Vaccination works by enlisting a majority in the protection of a minority.” The more people who are vaccinated and carry immunity, the safer everyone is from disease. Achieving a 100% vaccination rate in any given population is unlikely, but by aiming for that rate, we have a better chance of attaining “herd immunity.” Unfortunately, Biss discovers, “We know the threshold [at which herd immunity is lost], in many cases, only after we’ve exceeded it.”

Faced with too much information, or misinformation, some people choose not to vaccinate, threatening the protection that herd immunity confers. Yet refusing to vaccinate “undermines a system…in which both the burdens and the benefits are shared across the entire population.” Or, as the author’s sister notes, “The health of our bodies always depends on choices other people are making.”

Biss includes a wealth of references, both in the text and in the notes; she draws upon such various sources as Susan Sontag, Bram Stoker (Dracula), Rachel Carson (Silent Spring), and Jean-Paul Sartre, among others. While I read On Immunity, however, I was often reminded of a book she didn’t mention: Leah Hager Cohen’s I don’t know: in praise of admitting ignorance and doubt (except when you shouldn’t). In this slim, wise volume, Cohen – also a mother, and also a Hampshire College graduate – explores the question, “How should we make decisions when we can’t know what’s right?”

We have to make the best decision we can, based on the best information we can gather. After a careful examination of research an opinion from many sources, Biss concludes, reasonably, that vaccination is the choice that is best for the individual, and for society at large – of which we are all a part. This works to everyone’s advantage; after all, “No single person…has the genetic material to respond to all diseases, but collectively humans have enough genetic diversity for humankind to survive any disease.”

I received a galley of this book from the publisher at BookExpo America 2014. Quotes in the review above are from the galley, and may differ from the final copy. On Immunity: An Inoculation will be published on September 30, 2014.

 

Reading Roundup: spring, summer, and fall books

Between BEA, Edelweiss, NetGalley, and the LibraryThing Early Reviewers program, I’ve gotten a chance to read several books ahead of their official publication dates this year, and they’ve all been excellent. This list is fairly fiction-heavy, but I have a few nonfiction titles coming up as well, so if that’s your thing, stay tuned.

stuckinthemiddleStuck in the Middle with You by Jennifer Finney Boylan (paperback: April 22, 2014)

Sometimes, the simplest, most innocent questions that people ask me can demand that I either lie or else have a conversation that’s much more intimate than I want to have, simply in order to tell the truth.

Boylan is the author of two previous memoirs, She’s Not There (2003) and I’m Looking Through You: Growing Up Haunted (2008). Born James Boylan, she had a sex change but remained married to her wife Deedie, parent to their two sons, Zach and Sean. Stuck in the Middle With You gives enough background so that readers who are new to Boylan won’t be lost, but focuses mainly on parenthood and family; memoir material is interspersed with interviews with many other people on the topics of gender, family, and motherhood vs. fatherhood. (I was delighted to encounter Tim Kreider, author of We Learn Nothing, in one of the interviews.) In conversation with Christine McGinn, Boylan seems to conclude that “males and females really are two different beings…but motherhood and fatherhood are social constructs.” She also concludes that her family is more similar to other families than different – and, for what it’s worth, she and Deedie are still together while many couples who got together at the same time are now separated. A great read for anyone who’s part of a family…which is pretty much everyone.

The Vacationers by Emma Straub (May 29, 2014)vacationers

Families were nothing more than hope cast out in a wide net, everyone wanting only the best.

The term “beach read” connotes something frothy and light, indulgent and not necessarily “literary,” but just because a book is set during a family’s summer vacation doesn’t make it a “beach read.” Straub’s The Vacationers certainly isn’t fluff: it’s a two-week-long snapshot of a family (and friends) whose members are all believably flawed: the husband who had an affair and lost his job over it, the wife who isn’t sure she can forgive him, the gay couple in the midst of a nerve-wracking adoption process, the son with hidden financial troubles, the son’s responsible-but-looked-down-on older girlfriend, and finally the youngest daughter, whose goal for the summer is to get laid so she doesn’t arrive at college a virgin. Straub writes about her characters with empathy and wisdom. I didn’t read her previous novel, Laura Lamont’s Life in Pictures, but I may add it to my list now.

oneplusoneOne Plus One by Jojo Moyes (July 1, 2014)

Sometimes, she told herself, life was a series of obstacles that just had to be negotiated, possibly through sheer act of will….she could survive this. She could survive most things.

Jess and Ed both live in England, but they come from two different worlds: Ed is fantastically rich, thanks to some software he built with his friend Ronan, and Jess is scraping by, cleaning houses – including Ed’s – and bartending. This setup could easily tip over into cliche, but it doesn’t: Moyes creates fully rounded characters who are lovable but flawed, trying to do their best and making mistakes. Jess is trying to protect her ex-husband’s son Nicky from being bullied, and trying to figure out a way to afford for her daughter Tanzie to go to a nicer school where she can do higher-level maths; Tanzie has won a scholarship but Jess still doesn’t have enough to cover the rest, unless Tanzie also wins a competition. In Aberdeen. And Jess can’t really drive – so Ed ends up chauffeuring the three of them, plus Norman the dog. One Plus One is a satisfying romance that addresses issues of socioeconomic status and inequality.

landlineLandline by Rainbow Rowell (July 8, 2014)

“Lately I’ve been thinking that it’s impossible to know.”
“To know what?” she pushed.
“Whether it’s enough. How does anyone ever know whether love is enough? It’s an idiotic question. Like, if you fall in love, if you’re that lucky, who are you to even ask whether it’s enough to make you happy?”
“But it happens all the time,” she said. “Love isn’t always enough.”

If you have already read something by Rainbow Rowell (Attachments, Eleanor & Park, Fangirl), then you’re already waiting to get your hands on Landline, in which Rowell returns from YA to adult fiction. As always, she writes with a wonderful sense of humor as well as wisdom about what it’s like to be a person. Review | Additional quotes

secretplaceThe Secret Place by Tana French (September 2, 2014)

Some people are like that: everything comes out like a lie. Not that they’re brilliant liars, just that they’re useless at telling the truth. You get left with no way to tell what’s the real fake and what’s the fake one.

The Secret Place differs from French’s four previous novels in that the narration is split in two, with one half – from the perspective of Detective Stephen Moran – taking place over the course of one long day, and the other half filling in most of the back story. This is largely effective, though there are many threads to keep track of; readers are never too far ahead of Moran and his partner-for-the-day, Antoinette Conway, and there are plenty of leads that lead to dead ends. The case centers around a murder that occurred on the grounds of a girls’ boarding school; the murder went unsolved for a year, but a new clue has surfaced, brought to Moran’s attention by Holly Mackey, a student at the school. Soon, Moran begins to wonder if Holly was involved. As always, French has crafted a psychologically gripping, beautifully written, hard-to-put-down literary mystery.

stationelevenStation Eleven by Emily St. John Mandel (September 9, 2014)

The more you remember, the more you’ve lost.

The world as we know it: Arthur Leander has a heart attack onstage while playing King Lear. Audience member Jeevan, a paparazzo-turned-journalist-turned EMT, jumps onstage to help. Child actress Kirsten Raymonde watches as Jeevan tries to save Arthur, but Arthur dies. Later that evening, Jeevan receives a call from a doctor friend, telling him about a fast-moving, lethal flu that has arrived in Toronto. He stocks up on emergency supplies.

Time had been reset by catastrophe.

The world in Year Twenty: Twenty years after the Georgia Flu has killed 99.99% of the world’s population, Kirsten is a member of the Traveling Symphony, a band of Shakespearean actors and musicians always on the move between small settlements. She’s also on the lookout for anyone who might know anything about one of her few possessions, copies of the first two volumes of a graphic novel called Station Eleven. When Symphony members begin to go missing, it seems as though Station Eleven might be leaking from the page into real life.

There have been several notable post-apocalyptic novels for adults recently (The Road, The Age of Miracles, The Dog Stars), but in my opinion this is the best. The author pays attention to the logistics of the collapse, but the characters are of primary importance: the way they deal with the post-flu world, the way they are all connected in a looping way that is almost reminiscent of the best time-travel novels. I only finished reading it a few days ago, but I think it will linger with me.

 

BEA 2014, Part One: When we love a book, we can’t stop talking about it

Thanks to Gene Ambaum and Bill Barnes (perhaps better known as “the Unshelved guys“), I got to go to BookExpo America (BEA) for free this year. I built a schedule in advance with the BEA show planner, and ended up following the schedule pretty closely.

BEA14WedThe keynote on Wednesday afternoon, “The Future of Bricks and Mortar Retailers,” was focused on booksellers, but much of it could apply to libraries as well. Oren Teicher, CEO of the American Booksellers Association, noted that there was a “real resurgence in indie bookselling,” and that “localism” was becoming a powerful movement (“Small Business Saturday” being one example). However, it’s still a challenge to convince customers to think of bookstores as places to buy e-books.

Michael Tamblyn, president of Kobo, acknowledged that the virtual browsing experience doesn’t (yet) match the physical, but that booksellers could be strategic about what books they stock in print. Romance novels, for example, sell better in e-book format, so it’s less important to have them on the shelves – just point customers toward the e-bookstore. Cookbooks, gift books, and picture books, however, are much more popular in print.

John Ingram, CEO of Ingram, said of digital and print, “it’s not either/or, it’s either/and.” Many readers buy both print books and e-books; this is supported by research from Library Journal. On the limited (thus far) success of bundling a digital book with the purchase of a print book, Ingram said, “Somewhere in there, there are economics that work for everybody.” Ingram also proposed that “each [bookstore] could be a publisher.”

Joyce Meskis, owner of the Tattered Cover bookstore, had great advice about connecting to the community and attracting customers. Tattered Cover has 500-600 events annually, including storytime, author events, and “Book Happy Hour.” She recommended using media, including public radio and podcasts, to “be part of the story.”

BEA14_tatteredcoverOf course, the keynote wouldn’t have been complete without a dig at the ongoing Amazon/Hachette issue; indie booksellers “make ALL publishers’ books available all the time.”

BEA14buzz

Next was the BEA Editors’ Buzz. Robert Sindelar from Third Place Books in Seattle moderated a panel of seven editors, each of whom raved about one book from their list. Sindelar said he initially had a negative reaction to the word “buzz,” but said it connotes activity; “When we really love a book we can’t stop talking about it.” The best editors and salespeople, he said, are “cool, have good taste, and know how to talk about books.” All editors on the panel fit this description, and after the event there was a mob around the tables of galleys that resembled hyenas feasting on a carcass. (Note to the organizers: Spread the galleys out. Use more than two tables for a room of a few hundred people. Have an exit plan. Have signs. Encourage people to form lines. Etc.) Though the print galleys disappeared in a flash, e-galleys should be available through Edelweiss. Here are the titles and authors:

  • Jenny Jackson from Knopf called Station Eleven by Emily St. John Mandel “a requiem for the world as we know it.” This “plausible and terrifying” book, which she compared to Peter Heller’s The Dog Stars, is about art and fame, and has already garnered positive word-of-mouth buzz.
  • Marysue Rucci from S&S described Matthew Thomas‘ ten-years-in-the-making We Are Not Ourselves as an “epic” of three generations of an Irish family in New York, a novel that describes “the great unwinding of the middle class” and “resilience in the face of disappointment.”
  • Lee Boudreaux from Ecco mentioned a slew of comp titles for The Miniaturist by Jessie Burton, including Billy Lynn’s Long Halftime Walk, The Story of Edgar Sawtelle, The Song of Achilles, Slammerkin, and The Signature of All Things. Suspense builds in this “dollhouse mystery” set in 1700s Amsterdam.
  • Jeff Shotts from Graywolf Press was aware of the irony of his last name when introducing On Immunity: An Inoculation by Eula Biss. This slim work of nonfiction addresses parents’ impulse to protect themselves and their children, as well as issues of race, class, and government, and the “far-reaching ramifications” of the “implications of vaccination.”
  • Amy Einhorn touted My Sunshine Away by M.O. Wilson from her eponymous imprint. Like The Help, My Sunshine Away is set in the South, and the story is inseparable from the setting. A debut novel and a literary mystery, My Sunshine Away is about adolescence, family, memory, and forgiveness.
  • Josh Kendall from Little, Brown admitted that author Laird Hunt was “not the new guy,” but that Neverhome was going to be his breakout novel. Hunt discovered a trove of letters in a family barn in Indiana, and those letters inspired this tale of a woman who goes to war in place of her husband.
  • Colin Harrison from Scribner closed the session with The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League But Did Not Survive by Jeff Hobbs, Peace’s roommate for two years at Yale. This is a true tale of poverty, race, education, drugs, murder, discrimination, and fate.

And that was just the first day. Stay tuned for more.

The Storied Life of A.J. Fikry by Gabrielle Zevin

Some novels take place over the course of a day; some cover several decades. How much story is an author able to fit into 350 pages or 500 pages or 750 pages? How much they can develop their characters so the reader feels like they are real people? These questions point to the magic and the mystery of writing. A reader might pause on page twelve and wonder, How do I already know so much about these people? How did the author do that? Or the reader might be fifty pages in, thinking, Nothing has happened yet, but I sure do know a lot about nineteenth-century London. Some writers are economical; some are expansive. Either kind of book can be powerful.

storiedlifeajfikryGabrielle Zevin does a lot with a little. The Storied Life of A.J. Fikry is 272 pages, and it covers about sixteen years. A.J. is a widower and a bookshop owner on Alice Island; he has just told off a new sales rep, Amelia Loman, and is proceeding with his plan to drink himself to death when he discovers two-year-old Maya in his shop, accompanied by a note. Soon afterward, Maya’s mother’s body washes up on the shore, and instead of handing the baby over to social services, A.J. decides to keep her.

A.J. does the paperwork and jumps through the necessary hoops off-screen, as it were, leaving the reader to enjoy Maya’s non-christening christening party in the bookstore. Because of Maya, A.J. becomes involved in the life of the town in a way he never did before; though his wife Nic was an islander, A.J. himself was perceived as an outsider. He emerges from his shell, becoming friends with the remarkably kind and sensible police chief, Lambiase, and forging a relationship with Amelia. (Again, they surmount some practical obstacles – i.e., the inconvenience of her living on an island when her job involves so much travel – off the page.)

“Shelf-talkers” for short stories serve as section dividers. These are addressed not to the reading public, but to Maya; the reason A.J. is writing these becomes clear late in the book. Maya’s history is also revealed: Lambiase discovers it (along with the valuable copy of Tamerlane that went missing from A.J.’s apartment just before Maya’s arrival) not through detective work but when he begins to date A.J.’s ex-sister-in-law, Ismay, after the death of her husband.

The characters in The Storied Life of A.J. Fikry are at once easy to slot into roles, and more complicated than they appear. Books and stories play a powerful role in all of their lives, and there is a good deal of book-related wisdom throughout this novel, delivered with a light touch. “We are what we love,” A.J. finally concludes. Most people who love books (and especially those who have ever dreamed of living in a bookstore) will like this one.

 

Problem Novels or Resilience Literature?

speakLast month there was a snippet in EarlyWord that caught my eye; librarian Nancy Pearl interviewed YA author Laurie Halse Anderson. Anderson’s books, which tackle difficult but real topics such as rape (Speak) and eating disorders (Wintergirls), are occasionally targeted by those who wish to censor them. Pearl asked her about the “problem novel” label that is “often applied to books about teens dealing with real-life situations.” Anderson reframed the issue by calling these books “resilience literature” instead, “because the goal of the books is to help strengthen kids facing difficult situations.” I think that’s a beautiful and apt way to put it.

As my co-worker Rebecca wrote during Banned Books Week last year, “Books are safe spaces to experience new things. New thoughts. New ideas. Different points of view….Books teach us how to empathize with each other, how to stand up for the little guy, and how to recognize the bad guys in our lives….We experience strong emotion alongside our favorite characters – joy, catharsis, loss, excitement. Books are a safe way to learn about life, without all the painful bumps and bruises.”

There is a quote attributed to Mahatma Gandhi: “Your beliefs become your thoughts, your thoughts become your words, your words become your actions, your actions become your habits, your habits become your values, your values become your destiny.” Your thoughts become your words. Your words become your actions. Words are important, and labels are especially so. Anderson’s renaming “problem novels” to “resilience literature” is not only a more accurate term, it also casts these books, and the discussion surrounding them, into a more positive and constructive light.

Speak: Have you read books that fall into this category? What did you think of them?

“A letter always feels to me like immortality”: on letters and epistolary novels

Cross-posted at the Robbins Library blog, with minor modifications.

“A letter always feels to me like immortality because it is the mind alone without corporeal friend.” -Emily Dickinson, quoted in To The Letter by Simon Garfield

An epistle, from the Latin epistulais a letter: a composition in prose sent from one person to another, or from one person to a group of people. An epistolary novel is a novel in letters, a unique style of narration. According to the Encyclopaedia Britannica, the first novel written in this way was Pamela by Samuel Richardson in 1740; Richardson employed the form again with Clarissa in 1748. Other authors began to write epistolary novels as well, including Goethe, who published The Sorrows of Young Werther in 1774. And one of the most well-known epistolary novels is Les Liaisons Dangereuses (Dangerous Acquaintances), which has been adapted into film more than once (Dangerous Liaisons in 1988Cruel Intentions in 1999).

Why are epistolary novels so compelling? One reason may be that they feel intimate. There’s the illegal thrill of reading someone else’s mail, but there’s also a first person voice, usually one character writing to another that they know well, or come to know well. The pace of the correspondence may heighten the suspense as characters – and readers – wait for a reply.

griffinandsabineMost epistolary novels are printed in the same way as regular books, but some go as far as to include actual envelopes and letters. Nick Bantock’s beautiful, mysterious Griffin & Sabine: An Extraordinary Correspondence is one of these: Griffin Moss and Sabine Strohem correspond in handmade postcards at first, then move on to longer letters, which the reader pulls out from an envelope and unfolds to read. (A word to the wise: there are six of these books. You may want to get them all at once and set aside a day or two to read them. You will want to know what happens next.)

guernseyOne deservedly popular novel in letters is The Guernsey Literary & Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows, published in 2008. This book has had lasting appeal, and at least some of that appeal must come from the style in which it is written. The characters’ letters are direct, honest, funny, sorrowful, angry, heartbreaking, and romantic in turn. The reader feels as though she has direct access to the characters, without the authors as intermediaries.

attachmentsOther authors use a more traditional style of narration, but employ letters, journal entries, or – more recently – e-mails, text messages, and chats. A significant chunk of Rainbow Rowell’s first novel, Attachments, is told through two characters’ e-mail exchange – an exchange read by a third person, their company’s IT manager. Kimberly McCreight’s Reconstructing Amelia includes text messages and facebook status updates. The young adult favorite The Perks of Being a Wallflower by Stephen Chbosky is written as a series of letters from Charlie to an unknown recipient; Roomies by popular YA authors Sara Zarr and Tara Altebrando also includes lengthy e-mails between the two main characters, high school graduates who are to be roommates in the fall.

lettersfromskyeOther recent epistolary or semi-epistolary novels are Letters From Skye by Jessica Brockmole, set in Scotland and America, and The Confidant by Helene Gremillon, set in France. These two novels don’t just use the contents of the letters to tell the reader a story; the letters’ discovery by other people becomes part of the plot. Letters are physical: they can be lost, delayed, delivered to the wrong address, or received, read, and tucked away in a drawer and forgotten until someone else comes along and finds them.

Letters often become a part of history, like journals, newspapers, books, and other documents. Simon Garfield’s book To The Letter: A Celebration of the Lost Art of Letter Writing provides dozens of examples of historical letters, from Cicero to Kerouac. Many biographies include a subject’s letters and journals (e.g. Arthur Conan Doyle: A Life in LettersThe Complete Letters of Oscar Wilde, and Jane Austen’s Letters). There is even a website, Letters of Note, that gathers fascinating letters from a variety of letter-writers, such as this one from Samuel Clemens (Mark Twain) to his wife.

There are far more epistolary novels and excellent collections of letters than I have mentioned above. What’s your favorite? What are your thoughts on this manner of telling a story? And when was the last time you wrote (or received) a pen-and-paper letter?

“Men and women have been collecting letters since letters began. Unlike other collecting hobbies, philately say, or beautiful antique cars, the collecting of letters has always been a wholly natural endeavor. If you treasured what was said in a letter you kept it, and once you have three, you had a correspondence, and no one would accuse you of being a nerd or obsessive.” -Simon Garfield, To The Letter

Swash_ornament_zeimusu

Landline by Rainbow Rowell

landline

She had to call. You can’t just ignore a phone that calls into the past. You can’t know it’s there and not call.

In her three previous books, Attachments, Eleanor & Park, and Fangirl, Rainbow Rowell has demonstrated an ability to create characters that are as recognizable as real people. She has proven herself adept at writing all kinds of relationships – romantic and otherwise – for characters in high school, college, and early adulthood. In Landline, Rowell leaves the YA realm and returns to the adult world, delving into the marriage of Georgie McCool and Neal Grafton.

Georgie and Neal meet in college, marry at twenty-three, and have two children. Georgie works as a TV writer with her friend Seth, who has been her writing partner for longer than Georgie and Neal have been together. Georgie and Seth are on the verge of achieving their longtime dream of getting their own show, but there’s a catch: they have to have material ready in a matter of days. But it’s almost Christmas, and Georgie is supposed to go with her family to Omaha for the holiday.

Instead, Georgie stays in California to work on scripts with Seth while Neal takes their daughters to Omaha. Georgie’s mother and sister treat her as though Neal has left her, which is not what Georgie thinks has happened at all…or has it? Georgie begins to fall apart. She can’t get in touch with Neal on the phone, until she tries calling from the old landline phone at her mom’s house. Talking to Neal on the phone brings back old memories of their time in college, and the terrible week when they were broken up, before he drove twenty-seven hours back from Omaha to California and proposed to her on Christmas morning. Georgie can’t remember that week very well, but as she talks to Neal, pieces she didn’t know were missing begin to fall into place.

The plot hinges on two phones: Georgie’s dead cell phone, and the landline (a.k.a. the magicfuckingphone). I found the landline, where present-day Georgie talks to past Neal, much easier to go along with than the idea that a responsible adult with children would let her cell phone die as often as Georgie did. But that’s my one complaint.

Rowell has an incredible depth of understanding of her characters, and of marriage generally, but she also has a lovely light touch: there are plenty of funny, witty moments alongside (and sometimes during) the darker, bleaker ones. At one point, Georgie realizes that even though Neal is perfect for her, she might not be perfect for him; that “she wanted him more than she wanted him to be happy.” Throughout the novel, Georgie wrestles with big questions like these. She has always known what she wanted: a career in TV, Neal, and her kids. Neal has never really known what he wanted, except for Georgie. Seth adds another layer of tension to Georgie and Neal’s relationship: there’s no love lost between Seth and Neal, but they’ve maintained a tense truce all these years, for Georgie’s sake. Is Seth ready to break that truce? 

Readers may occasionally pause to dwell on issues of feminism. (Georgie wanted to take Neal’s last name, but he wouldn’t let her, because “You don’t come into this world with a name like Georgie McCool and throw it away on the first pretty face.”) In the McCool-Grafton marriage, Georgie is the careerist, the breadwinner, the busy one, while Neal is the stay-at-home dad; Georgie’s own sister points out that Neal would get custody in a divorce. But the novel doesn’t read like a book with an agenda; it only presents a scenario that is the reverse of the traditional one.

Rowell is as magical as her landline phone. Georgie and Neal’s marriage, with all its history and weight, comes through clearly: their good moments and bad moments, the joys and stresses, the selfishness and compromises. Georgie and Neal recognize that they may not be perfect for each other, that their lives might not “fit together,” but, as Neal says, “Nobody’s lives fit together. Fitting together is something you work at. It’s something you make happen – because you love each other.” Stranded half a country away from Neal and her kids, Georgie has to figure out how to make it happen.

I had incredibly high expectations for this book, and though high expectations often lead to disappointment, that wasn’t the case here at all. Instead, I was wholly delighted, and I think Rowell’s fans will be too. In fact, moving seamlessly between YA and adult, she’s likely to bring her old fans with her and attract some new ones as well.

I received an e-galley of LANDLINE from publisher Macmillan via Edelweiss. The expected publication date is July 8, 2014. Quotes in the review above are from the galley, not the final copy.