Building a Board Book Library

This post brought to you by the fact that my brother and SIL are expecting a baby this summer! So I’ve got board books and early literacy on the brain (even more than usual). 

Reading aloud to and with kids is something you can do from Day 1. Start early and make it part of your day, every day, as part of the five practices that build early literacy skills: talking, singing, reading, writing, and playing. Board books are an excellent way to start: they’re small, sturdy, and designed to appeal to babies and their caregivers. Some are wordless (like Tana Hoban’s Black & White books), some rhyme, some have tactile elements that invite touch (like the “That’s Not My…” series). Whether you’re looking to build a board book library of your own, looking for board books to gift, or wondering which board books to borrow from the library, here’s a place to start.

Right off the bat, let’s assume everyone is familiar with a handful of classics:Cover image of Chicka Chicka Boom Boom

  • Goodnight Moon by Margaret Wise Brown and Clement Hurd
  • The Very Hungry Caterpillar by Eric Carle
  • Chicka Chicka Boom Boom by Bill Martin Jr. and Lois Ehlert

And then there is the Queen of the Board Books, Sandra Boynton. Her rounded characters are gentle and funny and her rhymes are easy to memorize. Here are my favorites of hers:

  • Happy Hippo, Angry Duck: A Book of MoodsCover image of Happy Hippo Angry Duck
  • But Not the Hippopotamus
  • Hippos Go Berserk
  • Belly Button Book

Developmentally, babies’ vision isn’t perfect when they’re born, so high-contrast art is good. They are also interested in faces, and especially if babies are being raised in a homogenous society, becoming familiar with diverse faces from an early age is important. With that in mind:

  • Tana Hoban’s Black & White booksGlobalBabies
  • I Kissed the Baby by Mary Murphy
  • Why the Face by Jean Jullien
  • Global Babies
  • First 100 Words by Roger Priddy

As babies begin to learn that their arms and hands are part of their bodies, they start to reach for stuff and explore the world that way (i.e. by putting it in their mouths). Will some flaps get ripped, will some corners get chewed? Absolutely. These board books are interactive and hands-on:

  • Where is Baby’s Belly Button? by Karen KatzCover image of That's Not My Pony
  • Peek-A-Who by Nina Laden
  • Press Here / Mix It Up / Finger Worms by Herve Tullet
  • TouchThinkLearn by Xavier Deneux (Shapes, Numbers, Colors, Farm)
  • Cook in a Book by Lotta Niemenen (Pizza, Tacos, Cookies, etc.)
  • That’s Not My… (Dinosaur, Dragon, Pony, Puppy, etc.)
  • Flora and the Ostrich by Molly Idle

One language is good, two (or more) languages are better! Teaching babies a few signs can be incredibly useful for communication, and helpful in reducing frustration, even if you aren’t fluent in ASL.

  • My First Baby SignsAlma, Head to Toe by Juana Martinez-Neal (bilingual, Spanish/English)
  • My First Baby Signs by Lee Ann Steyns and Julia Seal
  • The ABCs of Baby’s Needs by Loris Lora

A few more to know, just because! Several of these authors and author/illustrators publish full-size picture books as well, so even when babies outgrow board books, they can move right up to picture books with familiar styles.

  • What Do You Wear? by Taro Gomi
  • Oh No, George by Chris Haughton
  • Jump! by Tatsuhide Matsuoka
  • Not A Box by Antoinette Portis
  • Some Bugs by Brendan Wenzel and Angela DiTerlizziSomeBugs
  • Hello, Hello by Brendan Wenzel

Resources:

Board books for babies and toddlers (June 2017)

Early Development, Language, and Literacy (Read to Grow)

The Positive Effects of Reading on Child Development (Reach Out and Read)

Help Your Child Learn to Read (Colorín Colorado)

The Five Practices: Talk, Sing, Read, Write, Play (Every Child Ready to Read)

Wayfinding and Signage: Principles and Planning

Icon of libraryOn May 14 I attended the Massachusetts Library System (MLS) workshop on Wayfinding & Signage, taught by Anna Popp. I’ve had an interest in this topic as long as I’ve been working in libraries (and maybe, as the kind of person who actually reads signs, for most of my life); I read Useful, Usable, Desirable almost ten(!) years ago, and have kept it in mind since.

MLS has an excellent LibGuide about Wayfinding and Signage with lots of resources; Anna covered a lot of the material here in her workshop, starting with the difference between the two: Volume icon from the Noun ProjectWayfinding helps people orient themselves in a space, figure out where they need to go, and how to get there; essentially, wayfinding is navigation. Signage is meant to influence a person’s behavior (e.g. borrow this book, attend this program, keep your voice down). Signage may be promotional (programs and services), operational (hours, policies), or instructional (how to use the printer), and therefore has an expiration date. 

Icon of stairsSo, wayfinding aids users navigating the space; signage influences users’ behavior. But before putting up any signs, ask: Who needs to know this? Where are they? What information do they need to make a decision? (In fact, Anna suggested inventory: taking down all signs, and only replacing the ones that are essential.) Try to avoid visual clutter by identifying the minimum amount of information necessary and including only that. 

Anna also suggested taking some time to observe patrons in the library building. Pay close attention to “transition zones” (spaces that are between other places, like hallways, stairwells, entryways) and identify friction points. Where do people pause and look around? There are three levels of wayfinding:Icon of elevator orientation, route decision, and destination. Where on their journey are people pausing and looking for help? “Folks need reassurance that they’re headed in the right direction.” If you can, get a patron to talk you through their experience – a walk-and-talk usability test. As library staff who work in the building every day, we may be too close to see problems that patrons encounter. (Also, we may not use the same bathrooms or even the same entrance to the building!)

We looked at lots of examples of wayfinding and signage in libraries – good, bad, and in-between – and talked about principles of design (choosing brand fonts, colors, and imagery; using white space; making sure it is ADA accessible). Icon for toiletAnna didn’t specifically mention it, but another consideration is users who don’t speak English. I do like visual signs and color coding, partly for this reason (although color coding will only work for about 85% of users).

Consider the user experience: Who is the centered audience? Who is the decision maker? Where will they be? How do they think about the library? For example, you might be advertising a toddler singalong; the toddlers are the audience, but the decision maker is the caregiver. Use natural, patron-centered language, not library jargon (e.g. research instead of reference). 

So, now what? Anna suggested that we (1) inventory our signage, (2) name our fonts, colors, and icon family, and (3) identify our patrons’ destinations. Fortunately for me, the children’s room in my library isn’t hard to find: it’s directly ahead from the entrance (the circulation desk is on the right as people enter) and has CHILDREN’S in big frosted-glass letters above our door. But there are still things I can do within the children’s area to make it more navigable for folks; for example, in the sections that are shelved alphabetically, I could put in shelf markers where each letter begins. (Why are these ones from Demco so expensive?! I could use these instead and put the letters on myself…)

photo of "first, you read this"

Above: the fun concluding slide to Anna’s presentation. I read the first three in order but switched the 4th and 5th. What about you?

All other images in this blog post come from The Noun Project.

That ol’ TBR pile and vacation reading

Last fall I took a photo of my TBR (To Be Read) pile. Looping back to that, how’d I do? Well, I’ve read three of the ten so far: the classic Eight Cousins by Louisa May Alcott, teen graphic novel Incredible Doom by Matthew Bogart, and As Brave As You by Jason Reynolds. (And I would have re-read The Great Believers in April, but had lent it to my mom and didn’t have time to get it back before we traveled. Instead, I re-read The Vanishing Act of Esme Lennox by Maggie O’Farrell, and Dust & Grim by Chuck Wendig, which I had been meaning to read since last fall but wasn’t in the photo.) I keep trying to get my book club to pick The Grammarians, but so far there’s only lukewarm interest.

Pile of books

Above: Vacation reading (six books for a five-day trip seems reasonable, if not restrained. And I read the top four: Dust & Grim, The Vanishing Act of Esme Lennox, A Room with a View, and Emerald Circus). I always like to bring one or two re-reads on a trip, so I know that I have something I’ll like in case I turn out to be not in the mood for the others.

Pile of books with library spine markings

Above: Also, we went to the library while we were on vacation. From this pile, I read Clementine Fox and Duel, and we listened to the audiobook of Nuts to You (which was excellent). The 8yo re-read El Deafo and also enjoyed Clementine Fox and Nuts to You, as well as the stack of books she’d brought along from home. Airport delays, you’re no match for this family! (OK, not to tempt fate. But we’re unlikely to run out of reading material, at least.)

My TBR pile tends to linger and languish because, unlike library books, those books don’t have due dates. All of this is to say, the mid-year reading round-up is practically around the corner…

MLA 2024: The Heart of the Community

The Massachusetts Library Association (MLA) annual conference was yesterday and today in Framingham. I got to attend yesterday, and it was a full day of speakers, presentations, vendors, and catching up with library colleagues from around the state. The last MLA conference I attended was in 2019; I presented with two other librarians about DIY usability testing on library websites. (It seems like much, much longer than five years ago.)

First up, at 8:15am: “Expanding Literary Horizons: Hosting a Reading Challenge to Foster Diverse Reading Habits,” with Karolina Zapal (Massachusetts Center for the Book), Veronica Koven-Matasy (Boston Public Library), and Hannah Bernhard (UMass)

  • The UMass summer reading challenge began in 2020 as a way to build community and connection while students were at home. Hannah, with the office of Student Success, built cross-campus collaborations with the UMass libraries and the English department; this increased the program’s reach (contacting students by email) and visibility (social media). Participation has increased each year, and they have moved away from prize incentives toward a pizza party (again, bringing people together).
  • Veronica from the Boston Public Library talked about a number of reading challenges for adults: summer, winter, and year-long. The year-long challenge wasn’t as much of a success for BPL, but engagement with the winter (Jan-Feb) and summer (Jun-Aug) has been good. Bingo-style sheets include things other than “read a book” (e.g. learn something new about your neighborhood, listen to a new song, etc.). Reading challenges for adults bring new patrons into (or back to) the library, connect patrons with resources, encourage love of reading and support of the library, help patrons diversify their reading, offer opportunities to cross-promote other programming, engage staff, and are fun! They don’t use themes, but they do craft bingo items around book lists they make in advance, and they find newsletters a better way to communicate than social media.2024 Reading Challenge
  • The Center for the Book uses a “12 months, 12 books” model for their challenge, and relies on public libraries and independent bookstores as partners to spread the word and promote the challenge. People can sign up online and track their reading; there is a monthly newsletter and monthly prize drawings, and two year-end celebrations (in Northampton and Boston).

Exhibit Hall Break! I chatted with vendors from Transparent Language (I’ve been doing their ASL for Librarians course, and it’s fantastic), MLS, NELA, and others. I checked with both Baker & Taylor and Ingram to see if they had new award posters, but they didn’t; I found some downloadable ones from Follett, though.

10am: “Banned in the USA: A History of Censorship, Book Bans, and First Amendment Freedoms,” Jocelyn Kennedy, Executive Director of the Farmington (CT) Libraries

  • Jocelyn ran us through the history of censorship in the U.S., though she said that censorship has existed as long as the printed word, and even before: “We don’t like when other people say things that we don’t like.” A few keywords and cases to search if you’d like to learn more: First Amendment, Sedition Act, Tariff Act, obscenity laws, Anthony Comstock (grr. See: The Future of Another Timeline by Annalee Newitz), Title 18 of the Federal Criminal Code, Joseph McCarthy and HUAC, the Hayes Code, the Comics Code Authority, Miller v. California (1973), Island Trees Union Free School District v Pico (1982), ALA Office of Intellectual Freedom (OIF).Approved by the Comics Code Authority
  • Government censorship is only part of the picture; some industries and organizations self-censor, sometimes in order to prevent government censorship. (Think of those “parental advisory” stickers on music CDs, movie ratings, etc.)
  • Book challenges from individuals and organized groups are on the rise in the past few years, but the Pico v. Island Trees case set the precedent that school boards can’t remove books from school library shelves just because they don’t like them. Jocelyn said, “It’s important to remember that it’s a very small group of people who are pressing for censorship and book bans [but] they’re very well organized.” The best thing you can do is make sure you have a strong collection development policy and a strong consideration policy, backed by procedure. (If your library doesn’t have these policies, or needs to update them, the MLS helpfully collects examples.) And, administrators need to support frontline workers.

11:10am: Leading with Love: Celebrating Pride at Your Library,” Jenny Santomauro (Peabody Institute Library of Danvers), Taylor Silva (Fall River Public Library), Miz Diamond Wigfall (a.k.a. AJ)

  • FRPL hosted its first Drag Storytime in 2019, and hundreds turned out: so many that they had to offer the program several times that day. They hosted drag storytime several more times, again with high attendance and support and minimal protests, but in December 2022 the program was interrupted by hate group NSC-131, which tried to prevent people from entering; police presence helped ensure that the event ran uninterrupted. After another successful drag storytime in January 2023, leadership made the decision to move the venue from the library to the town recreation department, citing staff safety concerns. However, drag storytimes and Pride events continue in Fall River with plenty of support. Taylor leveraged existing relationships with individuals in the community and community groups to gain support for LGBTQIA+ friendly events and to offer more, like day trips, movie nights, craft programs, and a D&D group.
  • Jenny spoke about a drag makeup class for teens, offered in May before Pride one year. The class filled up just minutes after being posted online, but then attracted hateful comments and threats. They were “scared but determined….We didn’t want to kowtow to these hate groups…We wanted to show that the library was a strong ally.” Police took the threats seriously, and allies showed up to create a “wall of love.” At future LGBTQIA+ events, the library advertised to local groups and schools, only posting to social media immediately before the event. There is a “clear need and desire for queer programs” in Danvers, and more supporters show up in person than protestors do. 
  • Miz Diamond Wigfall echoed this sentiment, saying that “keyboard warriors” are active online but few show up in person. It’s also important to have all-ages queer programs and spaces, as so many queer spaces are 18+. Parents are grateful for their kids to have safe spaces.

Rainbow heart

12pm: Landscape Ideas for Education, Engagement, and Climate Resilience,” Elena Zachary, Regenerative Design Group, Greenfield, MA

  • Elena talked about climate change, and the effects it’s already having in New England, and different types and sizes of garden projects that can help mitigate extreme heat, drought, and extreme rainfall, flooding, and storms. It’s possible to reduce heat island effects through landscaping by planting shade trees, for example, or “pocket forests.”Cover image of Nature's Best Hope by Doug Tallamy
  • RDG works on other projects, such as creating rain gardens, accessible gardens, outdoor classrooms, educational gardens, pollinator gardens, bird-friendly gardens (better than bird feeders: you don’t have to worry about bears, or refilling the feeders), and historical and cultural heritage gardens.
  • What can libraries do? (1) Add native perennial plants to existing landscapes; (2) Plant and manage chemical-free (no chemical fertilizers or plants treated with neonics); (3) Mow less, and less often, and participate in No Mow May; (4) Leave the leaves – rake them off lawns and into beds to insulate shrubs and perennials, especially as there is less snowfall; (5) Use rain gardens, swales, and vegetation to infiltrate water onsite and avoid runoff.
  • What else? Engage the local community, find out what they want – benches for reading, a living seed library, plant exchanges, edible gardens? Use public land to set an example (good signage helps!) and educate people that they can transform their own spaces as well – every little bit helps.
  • Available grants: ARSL Sustainable & Resilient New England Libraries, LSTA/MBLC Dig In.

2pm: Martha’s Vineyard Land Transfers: Being an Ally to Indigenous Peoples and Beyond,” Kara Roselle Smith (Chappaquiddick Wampanoag)

  • Cover image of This Land Is Their LandKara spoke about her historical family connection to Martha’s Vineyard – which was inhabited by the Wampanoag people before First Contact, but is now inhabited by descendants of colonizers – and Indigenous efforts to regain land that was wrongfully taken from them: “The stealing of native land wasn’t just a one-time event…[it] continues to this day.”
  • She showed a long clip from a TEDx Talk by Lyla June (Diné), “3000-Year-Old Solutions to Modern Problems,” in which June describes land management techniques that decenter humans and design for future generations. June explained that European colonizers misunderstood Indigenous land management practices – “living heirlooms” – and that Indigenous people are a “keystone species.”
  • Cover image of We Talk You ListenKara recommended two books for further reading: This Land Is Their Land by David J. Silverman and We Talk, You Listen by Vine Deloria Jr. (I would add that another good book on this topic is Occupying Massachusetts by Sandra Matthews, David Brule, and Suzanne Gardinier.)

2:40pm: “Touchpoints in Libraries,” Lyndsay Forbes (MBLC) and Christi Farrar (MLS)

  • The Touchpoints training program was developed by T. Berry Brazelton in 1995, originally designed for health care settings but adapted for libraries. Why Touchpoints in libraries? “It’s about family engagement.” Touchpoints is a systems approach, and libraries are part of a child’s system.
  • Touchpoints is a way of addressing different perspectives and assumptions, recognizes our own biases, and moving from a deficit-based view to a strengths-based one. Library staff can change our interactions with patrons by understanding where we’re coming from and being good listeners.
  • Starting in 2020, the MBLC and MLS began the process of going through the “train the trainer” program and offered the first trainings with two cohorts in 2023; another training will be offered this fall. Cohort learning creates a professional learning network, encourages reflective practice, and models relationship building.

3:30pm: “Our Grandest Challenge with The Sustainable Libraries Initiative,” Rebekkah Smith Aldrich, MLS, LEED AP

  • “Even if we do everything right [climate-wise from here on], we have a minimum of another 30 years of increasingly severe and scary weather….It’s already here, it’s already impacting us.” The medical community is calling climate change the biggest threat to global public health: “The climate crisis will profoundly affect the health of every child alive today.” –The Lancet
  • Triple Bottom Line graphicThe ALA added Sustainability to its Core Values in 2019. That means it should be part of our framework for libraries’ decision-making. Look at the “triple bottom line” definition: environmentally sound, socially equitable, economically feasible (see graphic at right).
  • Librarians can align for collective impact, like the Blue Marble Librarians are doing. Project Drawdown is a good resource: “embrace the idea that every job is a climate job.” Libraries can do a lot to mitigate climate change – even small changes like using LED lights add up, and putting up solar panels is even better. Put EV charging stations in the library parking lot, and build net-zero goals into strategic plans, like Concord.
  • Libraries are also important when it comes to disaster preparedness and community resilience. Communities with tighter social fabric will do better (see: Heat Wave by Eric Klinenberg). A few more resources and ideas:Cover of Heat Wave by Eric Klinenberg

Finally, Governor Maura Healey’s keynote speech was moved from the morning to the afternoon, to close out the day’s presentations. She quoted one of my all-time favorite library quotes, from Caitlin Moran’s essay “Alma Mater”:

A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination….They are the only sheltered public spaces where you are not a consumer, but a citizen instead. -Caitlin Moran

Healey spoke generally of her childhood memories of libraries, and her support for intellectual freedom in Massachusetts. She mentioned the nationwide book banning trend and cited the challenge statistics from the ALA OIF, saying, “What a damaging and alarming trend. They want to remove books and programming that tell the truth….We are never ever gonna let that happen in Massachusetts. We cherish our libraries.” Healey acknowledged the link between libraries and democracy, and pledged support for library resources, including the economic development bill, which includes $150m for library construction grants. 

People asked excellent questions during the Q&A: about Healey’s support for libraries in public schools (“If you could give this same talk to school superintendents…”), about how municipal employees aren’t covered by FMLA (she gave a weird answer about housing costs instead), about legislation to protect library collections (“I’m in favor of any legislation that would ban the banning of books”), and, of course, what she’s reading right now (Margaret Atwood essays, The Climate Book by Greta Thunberg, and Russell Banks’ last book).

And that was a wrap (for me, anyway) on MLA 2024! I’m going forward with new ideas about how to make the library more sustainable and resilient, host queer-friendly programs, and run reading challenges (the good kind, not the banning kind). Thanks so much to all the presenters and panelists, vendors, and conference committee!

Open Books, Open Minds

Today is the Open Books, Open Minds “celebration of reading and literacy,” a free virtual event from LJ/SLJ and NCTE. I moderated a panel on “the joy of reading” with five authors:

  • Veera Hiranandani (Penguin Young Readers), author of Amil and the After, How to Find What You’re Not Looking For, and The Night Diary, a Newbery Honor book.
  • Stuart Gibbs (Simon & Schuster), author of the Spy School, Funjungle, Moon Base Alpha, and Once Upon A Tim series
  • Peter Kahn (Penguin Young Readers), poet, educator, and project creator; co-editor of Respect the Mic: Celebrating 20 years of poetry from a Chicagoland High School
  • Tanisia “Tee” Moore (Scholastic), author of Micah Hudson: Football Fumble and picture book I Am My Ancestors’ Wildest Dreams
  • Claribel Ortega (Scholastic), author of Witchlings, Ghost Squad, and Frizzy, winner of the Massachusetts Children’s Book Award

All of the authors spoke beautifully and passionately about the importance and joy of books and reading. Brief notes on our conversation are below, and the whole day’s worth of panels and presentations will be available for online viewing for the next three months.

What does “the joy of reading” mean to you?

  • SG: (holding up a copy of The Westing Game by Ellen Raskin) “Reading creates memories.”
  • CO: Reading allows me to go into other people’s lives and experience things I wouldn’t do otherwise.
  • TM: “Books transport you.” (Cited The Snowy Day and Nancy Drew mysteries.)
  • VH: Books provide companionship.
  • PK: When you’re reading a paper book, you can’t multitask. You are in the moment.

How did you come to love reading? Cover image of Charlie Thorne and the Last Equation

  • TM: Was always a reader, and reading and writing were linked; kept a diary from age 6. Characters in books “were my friends.”
  • SG: Always a reader, read a huge number of library books – even found the G section where his book would be if he wrote one someday. [Ed. note: One! Haha]
  • VH: Had a lot of free choice, and never felt judged for her reading choices, even when she read comics. Having that freedom was important.
  • PK: Saw his parents reading for pleasure on vacation, so perceived it as a fun/leisure activity rather than a forced one.
  • CO: Always a reader. Books and libraries provided a safe space.

What about kids who haven’t discovered the joy of reading yet?Cover image of Frizzy

  • VH: Again, freedom to choose what you read is important. And parents can model reading, too.
  • TM: Allow kids to discover what they enjoy. Read together, or read what they’re reading, and let books start conversations.
  • SG: Books should be FUN! Graphic novels can be a gateway to reading other kinds of books.
  • PK: Read together, read aloud.
  • CO: Kids love graphic novels. Also, if they’re interested in other media (computer games, TV shows, etc.), make a connection to those other interests.
  • TM: If there’s a movie or TV version of the book, read/watch both and compare them.
  • VH: If kids read when they’re young, then drift away from it, they can come back to it: “It’s IN there.” True for adults too.

What are some ways your books can be, or have been, used in the classroom?RespecttheMic

  • PK: There is a website with videos to accompany Respect the Mic. Seeing poets perform their own work aloud increases engagement; there are also lesson plans and prompts.
  • SG: Did a lot of research for the Charlie Thorne series (partially inspired by reading Michael Crichton, who combined science and adventure), so history is woven in. Notes at the end of the book go some way toward explaining what parts are fact and what is made up, but students are encouraged to do their own research too.
  • CO: Witchlings has themes of prejudice, belonging, inequality, and socioeconomic status. Some teachers have asked students to use their problem-solving skills to suggest changes in the fantasy world of the book. What if…?
  • TM: I Am My Ancestors’ Wildest Dreams introduces readers to contemporary heroes, expands on Black history, and asks readers to consider when and how to make “good trouble.” It can be used in social studies and during Black History Month.
  • VH: Nisha, the protagonist of The Night Diary, and her twin Amil, protagonist of Amil and the After, are twins with very different styles of learning, ways of creating meaning, and ways of expressing themselves. Readers can consider their own and others’ learning styles, meaning-making, and expressions.

Why do you think reading is important, and how do you convey that to young readers?AmilAfter

  • SG: Reading about different worlds, cultures, and experiences creates empathy. Reading is a gateway.
  • VH: Echoes Rudine Sims Bishop’s “Mirrors, Windows, and Sliding Glass Doors.” Books allow people to enter into others’ lives and gain a deep understanding.
  • CO: Books are a place to learn about tough topics safely.
  • PK: Having hard (physical, paper) copies of books is more important than ever so that you can focus without distraction, scrolling, notifications.

How do you communicate a message/theme to young readers without being didactic?Cover image of I Am My Ancestors' Wildest Dreams

  • CO: TRUST your reader. Let things be messy. Some things aren’t fixed – that’s realism. Kids appreciate you being real with them.
  • TM: Use dialogue and action to show; allow readers space to figure things out on their own. It’s harder to write a picture book than people imagine!
  • SG: A little bit of messaging goes a long way; make it powerful, not repetitive.
  • VH: A didactic message reveals an adult agenda.

Is it mandatory to have a child in order to be a good children’s book author? (audience question)

  • TM: Most important is to BE A READER of the genre you want to write in. Spend time around kids (doesn’t have to be your own).
  • VH: Be in touch with your inner child.
  • CO: Talk with kids on school and library visits.

It was such a privilege to speak with these authors today and hear what they had to say about the joy of reading. Library news lately has been dominated by book bans and budget cuts, so to hear kidlit creators speak out so strongly in favor of free choice in reading was marvelous. I believe that kids will build an identity as a reader if they are allowed to choose their books (including graphic novels and audiobooks); if they see the adults in their lives reading books; if they engage in conversations about books. I believe that reading builds empathy, and prepares people to live in the world with other people, and to experience scary things in a safe way.

Happy reading to you all!