Category: children’s

ALA Youth Media Awards 2023

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Cover image of Hot Dog
What a day for a dog!

Last year, I followed the ALA YMA on Twitter while preparing to teach seventh graders online research skills; the year before, I watched in my pajamas with my five-year-old on my lap. This year, I missed the beginning of the livestream, but the timing worked out so that a third grade class was in the library when the Caldecott awards were announced, and they were so excited!

As I watched not just the Caldecotts but all the other awards roll in, it struck me more than any previous year how many deserving books there are. Not that I disagree with the committees’ choices – plenty of books I cheered for, others I hadn’t read – but there are just so. many. good. books in any given year! And because I was on this year’s Heavy Medal committee (Mock Newbery) and ran a Mock Caldecott program at my school, I was more attuned than usual to award predictions.

So rather than recap today’s winners, I’m going to list a few middle grade and picture books I think could have gotten awards, and just happened not to, but are still wonderful and you should read them:

Middle grade:

  • A Rover’s Story by Jasmine Warga
  • Violet and Jobie in the Wild by Lynne Rae Perkins
  • The Ogress and the Orphans by Kelly Barnhill
  • Different Kinds of Fruit by Kyle Lukoff
  • Where the Sky Lives by Margaret Dilloway
  • The Insiders by Mark Oshiro
  • The Door of No Return by Kwame Alexander
  • Black Bird, Blue Road by Sofiya Pasternak
  • A Duet for Home by Karina Yan Glaser

Picture Books

  • Mina by Matthew Forsythe
  • Blue: A History of the Color as Deep as the Sea and as Wide as the Sky by Nana Ekua Brew-Hammond, illustrated by Daniel Minter
  • Sweet Justice by Mara Rockliff, illustrated by R. Gregory Christie
  • A Spoonful of Frogs by Casey Lyall, illustrated by Vera Brosgol
  • I Don’t Care by Julie Fogliano, illustrated by Molly Idle and Juana Martinez-Neal
  • Endlessly Ever After by Laurel Snyder, illustrated by Dan Santat
  • Farmhouse by Sophie Blackall
  • Snow Horses by Patricia MacLachlan, illustrated by Micha Archer

Squirrels that turn out to be cats, magic doors that lead to a refuge and friendship, a Mars rover with human emotions, a choose-your-own-adventure fairytale, escaping frogs, an unsung civil rights hero, some beautiful collage, and more – there’s something for everyone, and awards are only a piece of it all. Congratulations to all authors and illustrators who put something out into the world in 2022; readers are grateful.

Mock Caldecott 2023

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In my first year as an elementary school librarian, I had to do a Mock Caldecott. It was one of the programs I’d heard other elementary librarians (and some children’s librarians at public libraries) talk about for years and it always sounded like a fun way to get kids engaged and excited. Plus, it’s a good chance to focus on the (incredible) art, and consider things like trim size and shape, endpapers, use of the gutter, use of color, light and dark, and media. I always look to see if there’s an art note on the copyright page about what materials the illustrator used, and kids are sometimes surprised (especially the born-digital art).

Here’s how I ran our program, loosely based on Travis Jonker’s:

Intro/practice week (first week of January):

  • Introduce the Caldecott Award. What is it for? Who decides? Which books (illustrators) are eligible? Even the youngest students grasp the difference between an author’s job and an illustrator’s job, and learn that if there’s one name on the cover, it means that person did both jobs.
  • Read two past Caldecott books, and have a vote (by show of hands). Make the tally visible on the whiteboard. In kindergarten and first grade, we read Kitten’s First Full Moon by Kevin Henkes (2005) and This Is Not My Hat by Jon Klassen (2013). In second and third grade, we read Beekle by Dan Santat (2015) and Watercress by Andrea Wang, illustrated by Jason Chin (2022).

Week One:

  • Now it’s onto this year’s Caldecott contenders! I requested several books from my public library, using my own reading from the past year as well as The Horn Book’s Calling Caldecott blog and Betsy Bird’s predictions on her Fuse8 blog at SLJ. Ideally, I’m looking for books with less text, because classes are only 40 minutes and we want to do book checkout too. I use the Whole Book Approach, which means I welcome students’ observations while we’re reading – which means it takes longer to read a book aloud.
  • Kindergarten and first grade read I Don’t Care by Julie Fogliano, illustrated by real-life best friends Molly Idle and Juana Martinez-Neal, and Like by Annie Barrows, illustrated by Leo Espinosa. Second and third grade read The Blur by Minh Lê, illustrated by Dan Santat, and This Is Not A Story About A Kitten by Randall de Sève, illustrated by Carson Ellis. I note when illustrators have previously won a Medal or an Honor.

Cover images of I Don't Care and Like

Cover images of The Blur and This Story is Not About A Kitten

Week Two:

  • Kindergarten and first grade read Somewhere in the Bayou by Jerome and Jarrett Pumphrey, and Little Houses by Kevin Henkes, illustrated by Laura Dronzek. Second and third grade read Knight Owl by Christopher Denise and Hot Dog by Doug Salati. Actually, this week we mixed it up a little bit; one of the first grade classes read the second and third grade pair of books, and one of the other first grades read Hot Dog and Little Houses. Attention spans vary, and it seemed like the right call at the time.

Cover images of Hot Dog and Little Houses

Screen Shot 2023-01-25 at 8.40.44 PM

Week Three:

  • Here we started to run into a few scheduling snags, including a (planned) holiday and some (unplanned) weather-related time off (a full snow day, a delayed start, and an early dismissal). It’s winter in New England, after all. That’s okay! We’re not being super scientific or mathematical about this, though I am keeping track of the tallies and figuring out the total votes for each book each week, and noting the number of classes that read each book.
  • Kindergarten and first grade read Don’t Worry, Murray! by David Ezra Stein and Witch Hazel by Molly Idle. Second and third grade read Farmhouse by Sophie Blackall (who has already won twice!) and Snow Horses by Patricia MacLachlan, illustrated by Micha Archer. This final pair of books is absolutely gorgeous, and my second- and third-grade students are an observant bunch, so we’re pretty squeezed for time given that these two are more text-heavy than some of the others (and Farmhouse is all one long sentence!).

Screen Shot 2023-01-25 at 8.42.49 PM

Cover images of Farmhouse and Snow Horses

Now, are the titles we read my top picks for the 2023 Caldecott? Not necessarily, although I think a lot of them have a very strong chance and I’d be delighted to see them get a shiny gold or silver medal. A few contenders we’d read earlier in the year: Endlessly Ever After by Laurel Snyder, illustrated by Dan Santat; Mina by Matthew Forsythe; Berry Song by Michaela Goade, John’s Turn by Mac Barnett, and The Three Billy Goats Gruff by Mac Barnett, illustrated by Jon Klassen. So, these are the ones that were fresh for my students, and that I could get from my public library in time.

Bulletin board of 2023 Mock Caldecott with images of book coversVisual supports: The award is for illustration, after all, so I wanted to create a visual environment to support our Mock Caldecott. Here are a few ways I did that:

  • A few years ago at a conference I got a poster with all of the Caldecott winners on it, plus that year’s honor books. I put that up on our whiteboard, and kids frequently pointed out books they’d read (even pre-readers could recognize the book covers). (Note: I would love an updated poster like this, and no one seems to make one! Let me know if you know of a source…)
  • On the easel whiteboard, I kept each week’s tally (photographing it regularly in case anyone erased it, accidentally or on purpose). Results were so different from class to class!
  • On my bulletin board, I printed out cover images of the Caldecott contenders we read, along with title, author, and illustrator info. This helped us remember what we’d read in past weeks, and make connections; for example, one third grader noticed that The Blur and Farmhouse took place over a long span of time, whereas This Is Not A Story About A Kitten and Snow Horses took place over the course of just one day/night.
  • I covered several tables with face-up Caldecott winner and honor books from past years and encouraged students to check those out – many did! (And some just wanted My Weird School or A-to-Z Mysteries or Wimpy Kid or the Biscuit books, and that’s fine too. But at least they saw them as choices, and picture book circulation increased! Though lots of students were baffled about why some books had “the sticker” and some didn’t.)
Caldecott poster
Whiteboard with vote tallies

At the end of our program, I figured out all the tallies and reported our results to the 2023 Mock YMA blog. Knight Owl got the most votes, followed by Somewhere in the Bayou, The Blur, Don’t Worry Murray, Farmhouse, and Hot Dog. And today, it worked out that one of my third grade classes was in the library during the live Caldecott announcements, and they went wild for Knight Owl and Hot Dog. It was gratifying to see them throw their hands up and cheer for books they recognized (I was cheering too, of course!).

Did we predict the winner? Not exactly, but two out of five ain’t bad. Did we read some great picture books? Absolutely! Will I do it again next year? Yes! What will I do differently? Mainly, I’ll start requesting books from my public library ahead of time, really concentrating on the ones with less text, so we can focus on the illustrations without being rushed during our 40-minute periods. I could change the way we vote – I was thinking of some clear jars and colored pom-poms that kids could use as their votes after reading four or five books over the course of a few weeks, instead of having two books go head to head each week.

Overall, it was a fun program I hope to run again next year. Now, as we’re about to enter Black History Month, I’m thinking of doing something similar (minus the voting) with Coretta Scott King award and honor books. Heck, there are enough awards to focus on a different one each month of the school year…

Mother/Daughter Book Club: Second Year

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Nearly everything is back to being in-person again, but the Mother/Daughter Book Club we started during the height of the pandemic is still going strong. It’s a great way for the “baby friends” – these first graders have known each other since they were infants – to stay in touch since we’re geographically scattered now. Now that the kiddos are older, I run book club less like a library storytime program: instead, we chat a bit till everyone arrives, I read a book or three, and then back off a bit for the girls to have their own time drawing, talking, and playing. (And I’ve heard some absolutely wild imaginative stories! Look for some truly inventive graphic novels to hit the shelves in twenty years or so.)

Without further ado, the books we read together in 2022:

Mother/Daughter Book Club 2022 slide of cover images
Jabari Jumps, Hornswoggled, The Oboe Goes Boom Boom Boom, The Polio Pioneer, Life, Marta Big & Small, Up in the Garden and Down in the Dirt, Over and Under the Snow, Aaron Slater Illustrator, Bathe the Cat
Cover images of books
Endlessly Ever After, Molly on the Moon, When Aidan Became A Brother, Amy Wu and the Warm Welcome, Every Dog in the Neighborhood, Mina, Flowers Are Pretty Weird, A Spoonful of Frogs
Cover images of books
Summer Camp Critter Jitters, Flowers Are Pretty Weird, Not A Bean, How to Eat A Book, Books Aren’t for Eating, The Three Billy Goats Gruff, Nothing Rhymes with Orange

Last year we read 13 books in 11 months, and this year we read 24 books in 11 months (Flowers Are Pretty…Weird is on two different slides by accident, we only read it once. Though I think we also read Butterflies Are Pretty…Gross by the same author/illustrator pair). As the girls have gotten more used to and comfortable with the Zoom experience, their attention span is a bit longer, so we usually read two or three books at each meeting.

Looking at the collection above, we definitely tilted toward humor this year, as well as science topics, fairytale/folktales, and books with SEL (social-emotional learning) themes. What patterns will emerge next year? We’ll see! With Betsy Bird cranking out her annual “31 Days, 31 Lists” of children’s books, we’ll have plenty of material to choose from.

Picture book read-alouds to make you laugh

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What makes a picture book funny? A sense of humor is unique and personal – what makes one person laugh out loud might elicit only a small smile from another, and vice versa – but there are a few themes. Slapstick, physical comedy is one; “potty” humor is another (the farting pony in The Princess and the Pony by Kate Beaton, Who Wet My Pants? by Bob Shea). Cleverness is appreciated, especially the kind that winks at the reader and lets them in on the joke; kids like the feeling of knowing more than the main character does (hide-and-seek books use this tactic). Interactive, fourth-wall-breaking humor often works equally well in storytimes and one-on-one reading, as kids are ready and willing to engage. Some readers delight in the absurd (the increasingly strange to-do list in Bathe the Cat, the pile of unlikely “solutions” in On Account of the Gum). A twist or surprise ending can be very effective as well, such as in A Hungry Lion or Tyrannosaurus Wrecks!, especially if it follows a sweet emotional moment of resolution.

Recently I ran into a friend who is a youth services librarian at a public library. She said that they’d just put up a display of funny picture books, but realized they were not a diverse bunch. She thought I might have some ideas, and…I do!

onaccountofthegumTo be quite upfront, the first picture book that jumped into my head in the “funny” category was Adam Rex’s On Account of the Gum, which I maintain is one of the all-time funniest books to read aloud, and which absolutely does not get old, no matter how many times you read it. Though adults tend to think of picture books as being for little kids, this one appeals just as much or more to older kids, and even teens and adults; they can use the rhyme scheme to anticipate what’s coming next, and they have more context (e.g. they know what Picture Day is). But littles enjoy the over-the-top illustrations and the pattern and flow of the story…it’s just, hands-down, a brilliant read-aloud. Rex also wrote Pluto Gets the Call, illustrated by Laurie Keller (just think about the title for a minute) and School’s First Day of School, illustrated by Christian Robinson. (This book, narrated by a brand-new school building, contains the phrase “nose milk.”) Rex is a funny guy, but let’s move along…

Cover image of I Don't Want to Be A FrogI Don’t Want to Be A Frog by Dev Petty, illustrated by Mike Boldt, is told entirely in dialogue between a young frog (who, you guessed it, would rather be a rabbit or an owl or a pig or anything but a frog), their dad, and…I won’t give it away, but this book really lends itself to the read-aloud experience, and it has delightful companions (I Don’t Want to Go to Sleep, I Don’t Want to Be Big, and There’s Nothing to Do). Dev Petty also wrote Claymates, which has some of the most unique illustrations (by Lauren Eldridge) I’ve ever seen, and plenty of humor.

wolfiethebunnyIf you can hear the title Wolfie the Bunny and NOT want to read that book immediately, then we probably don’t have much in common. Ame Dyckman’s words paired with Zachariah Ohora’s illustrations absolutely live up to the promise of the title. In a neighborhood based on Park Slope, Brooklyn, a family of rabbits finds a wolf pup on their doorstep, but only little Dot is freaked out by the new addition to the family (“He’s going to eat us all up!”).

Tyrannosaurus WrecksZachariah Ohora also illustrated Tyrannosaurus Wrecks! by Sudipta Bardhan-Quallen. (Every list of picture books has to have a dinosaur book, right? Pretty sure that’s a rule.) This is a sure-bet hit for the toddler and preschool set, and there’s a sweet social-emotional learning (SEL) component in addition to the slapstick humor. (While we’re talking about Zachariah Ohora, he also illustrated Who Wet My Pants? by Bob Shea, another very funny book, despite its serious-sounding title.)

herecomesvalentinecatDeborah Underwood and Claudia Rueda’s “Here Comes…Cat” books (Tooth Fairy Cat, Valentine Cat, etc.) star a cat that only communicates through signs (sometimes with words, often with images), facial expressions, and body language. The narrator is in dialogue with the curmudgeonly cat, and these books definitely tickle my funny bone; Valentine Cat makes an appearance at our house every February.

sparkyJenny Offill has produced such delightful gems as Sparky! (a book about a girl and her pet sloth; just look at the juxtaposition between the name – with an exclamation point! – and the sloth on the cover), While You Were Napping, 11 Science Experiments That Failed, and 17 Things I’m Not Allowed to Do Anymore. The titles are descriptive enough, I think, and any grown-up who has read Offill’s books for adults is in for something completely different with these.

Cover image of A Hungry LionA Hungry Lion, Or, A Dwindling Assortment of Animals by Lucy Ruth Cummins: The sheer genius of this title, oh my goodness. And the vocabulary. And the smile on the little turtle’s face. And the moment the lights go out. And the double twist ending. And, and, and….If you liked the slightly macabre humor of Jon Klassen’s I Want My Hat Back but you haven’t read this, go ahead and remedy that now.

grumpypantsGrumpy Pants by Claire Messer: “I’m grumpy,” declares a little penguin, and it tries a number of solutions to improve its condition, finally stripping off its clothes piece by piece and diving into a nice cold bath. Children (and adults, too!) might find that a bath, clean clothes, and a cup of cocoa are just the thing to soothe a grumpy mood.

stillstuckStill Stuck by Shinsuke Yoshitake: You’re getting undressed and your shirt gets stuck over your head – it’s happened to everyone, right? It happens to this kid, who definitely does not want assistance from Mom, and decides to accept their new state. In their imagination, they spin out what life will be like with a shirt over their head. Despite the kid’s adaptability (or resignation), Mom does swoop in to move the bedtime process along, but there’s another snag when it’s time to put on pajamas.

mightbelobstersThere Might Be Lobsters by Carolyn Crimi, illustrated by Laurel Molk: Poor little Sukie is afraid of everything at the beach, but when beloved toy Chunka Munka is swept out to see, Sukie must find her courage. This is an excellent read-aloud for summer storytimes for all ages – get kids to repeat the titular refrain together –  and if you happen to have props with you for this read-aloud (a stuffed lobster, say, or a beach ball) all the better.

Cover image of The Oboe Goes Boom Boom BoomThe Oboe Goes BOOM BOOM BOOM by Colleen AF Venable, illustrated by Lian Cho: A band director introduces instruments one by one, but little Felicity just can’t wait to bang on the drums and keeps interrupting – until she’s blown away by the sound of the tuba. There’s actually quite a lot of information in here about different instruments, and the way that Cho translates sound into a visual medium is outstanding.

notapenguinI Am Not A Penguin: A Pangolin’s Lament by Liz Wong: A poor pangolin wants to give a presentation, keeping its cool while confused audience members interrupt, until a penguin arrives to steal the show. One little girl remains for the pangolin’s informative presentation. (See also: The Angry Little Puffin by Timothy Young, which taught me permanently that penguins live “at the bottom of the world” (i.e. Antarctica) while puffins live “at the top of the world.”)

kingbabyKing Baby by Kate Beaton might be funnier for adults than for kids, but kids enjoy it too; it’s one of my go-to recommendations for families who are about to add a sibling. And let’s not forget Beaton’s other picture book, the crowd-pleasing The Princess and the Pony (pony farts feature prominently).

bathethecatBathe the Cat by Alice B. McGinty and David Roberts: A cat who definitely does not want a bath scrambles up a family’s to-do list as they rush to tidy before grandma arrives. Clever use of fridge magnet alphabet letters, plenty of pride, and increasingly ridiculous tasks all add to the joyful hilarity.

wedonteatourclassmatesWe Don’t Eat Our Classmates by Ryan T. Higgins: Pink, overalls-wearing Penelope is nervous about the first day of school, and indeed, it doesn’t go as well as she’d hoped…she discovers that it’s hard to make friends when everyone is afraid you’ll eat them. Penelope learns to exercise self-control with the help of Mrs. Noodleman and a fearless goldfish named Walter.

Finally, every kid I know would insist that The Book With No Pictures by B.J. Novak be included on any list of funny picture books, and they’re right. BLURP.

What are your favorite funny picture books?

How middle grade has changed (in) a generation

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Working in a middle school library for the past year, I have been more conscious than ever about what books I am putting into kids’ hands – and, if the match is right, into their heads and hearts. They might read a chapter and put it down, or they might slog through and forget it after they’ve finished a required project…or, they might remember it forever. With that in mind, I (a) always encourage kids to return a book they’re not enthusiastic about and try something else instead, and (b) am extra mindful of representation. When reflect on the books that stayed with me (list below), nearly all of them feature white, American kids, and the few books that centered Jewish characters were all historical fiction set during WWII and the Holocaust (except for Margaret. Thank you, Judy Blume).

  • A Wrinkle in Time by Madeleine L’Engle (1962)
  • Are You There, God? It’s Me, Margaret by Judy Blume (1970)
  • Bridge to Terabithia by Katherine Paterson (1977)
  • The Devil in Vienna by Doris Orgel (1978)
  • The Castle in the Attic by Elizabeth Winthrop (1985)
  • Matilda by Roald Dahl (1988)
  • The Devil’s Arithmetic by Jane Yolen (1988)
  • Number the Stars by Lois Lowry (1989)
  • A Horse Called Wonder (Thoroughbred series #1) by Joanna Campbell (1991)
  • The Boggart by Susan Cooper (1993)
  • The Giver by Lois Lowry (1993)
  • The Golden Compass by Philip Pullman (1995)
  • The View from Saturday by E.L. Konigsburg (1996)

It’s a disservice to kids – to any readers – when only “mirrors” books or only “windows” books are available to them. Everyone deserves to see themselves reflected in literature (and art, music, movies, TV, magazines, etc.). The presence of a character similar to you says You exist. You matter. But only reading about characters like yourself is limiting; reading about those who are different in some way provides a window into another way of experiencing the world: They exist. They matter.

I have read so many middle grade books in the past few years that I couldn’t have imagined existing a generation ago. There are books with trans and non-binary characters, like Kyle Lukoff’s Different Kinds of Fruit and Too Bright to See and Ami Polonsky’s Gracefully Grayson and Alex Gino’s Melissa. There are books with Muslim protagonists by S.K. Ali and Saadia Faruqi, Hena Khan and Veera Hiranandani, and books with Latinx characters like Meg Medina’s Merci Suárez, Celia Pérez’s The First Rule of Punk, and Pablo Cartaya’s Marcos Vega Doesn’t Speak Spanish. There are books that address contemporary racism and microaggressions and police violence, like Blended by Sharon Draper. There are books by and about Indigenous people, like Rez Dogs by Joseph Bruchac and Ancestor Approved by Cynthia Leitich Smith and others. There are books that explore the histories and modern experiences of Asian American and Pacific Islanders, like Finding Junie Kim by Ellen Oh, Other Words for Home by Jasmine Warga, and Inside Out & Back Again by Thanhha Lai – the last two of which are in verse, a form I never encountered as a young reader but which is becoming more and more popular now (and with good reason). There are books about fat-shaming and fatphobia and body positivity, books that show what good therapy looks like, characters who experience mental illness or poverty, frank discussion of periods and endometriosis, and activism.

There is nothing inherently bad about the books I read and loved as a kid; I still re-read and love them, and am starting to share them with my daughter (and discuss parts that are sexist, racist, or otherwise problematic). But as a collection, they don’t show the dazzling breadth and depth of human experience that children’s literature illuminates now, from picture books through middle grade to young adult. I am so grateful to the authors and illustrators who create these works, let readers step into their characters’ shoes, learn about their lives, and grow in empathy, and I feel lucky to be able to put these books into kids’ hands.

 

 

MSLA 2022: Book Challenge Panel

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Bonnie McBride, Anja Kennedy, Collen Simpson, Lizz Simpson, and Luke Steere are all librarians who have experienced, or are currently experiencing, some form of book challenge in their school libraries, whether it’s a formal challenge or “soft censorship.” Although national news has focused on widespread challenges in states like Texas and Florida, Bonnie said, “Book challenges have always been a part of librarianship….They are happening here.”

A few themes and solid pieces of advice were repeated throughout the panel:

  • Be prepared. Have a collection development policy that includes selection guidelines and a procedure for the request for reconsideration of materials. This policy should be approved by the School Board and the administration should be aware of it. “Your first line of defense is a strong policy that people can’t argue with” – not even the superintendent.
  • A challenge or ban in one part of the country affects us all: Fears of challenges may cause librarians to self-censor (avoiding purchasing or promoting certain texts), and may cause teachers to make changes to the texts they use in their curriculum.
  • Some good things can come from challenges: while one panelist said “I wouldn’t wish this on anyone,” she acknowledged that some good things came out of it: there was a good examination of policy (which was strong), thoughtfulness about what we present in our curriculum, teachers chose more current books (in collaboration with librarian), more voice and choice in lit circles, students came to school committee meetings, increased transparency, and school committee has educated itself on public forum measures and the law.
  • “Promoting and defending our books should be a given.” A majority of the books being challenged have LGBTQIA+ content, and “there are LGBTQIA+ kids and families in every community, whether you know it or not.” Luke said, “I like using the word ‘challenge’ because it’s something to rise to” and not something to work against. Libraries are for everyone.
  • Be proactive. When a new administrator is hired, go and talk to them. They might not know the history of the district, if there have been challenges in the past and how they were handled. Ask them, “Where do you stand on this? What do we do when this happens?”
  • Keep the focus on the book. If it’s a student bringing the challenge, offer to sit with them and help them fill out the form. This can be a learning experience, and it keeps the focus on the book, not the complainant or the librarian.

Resources:

  • Library Book Challenge Resources Wakelet, curated by Bonnie McBride
  • Massachusetts Association of School Committees (MASC) online manuals
  • Massachusetts Library System (MLS) Policy Collection
  • ALA Office of Intellectual Freedom (ALA OIF) Challenge Support
  • the MSLA listserv
  • Library Link of the Day: there has been an significant uptick in links that have to do with censorship, book challenges, and bans in school and public libraries over the past several months.

MSLA 2022: Cynthia Leitich Smith keynote “Brighter Days”

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Author, teacher, publisher, and Muscogee Nation citizen Cynthia Leitich Smith delivered this morning’s keynote, “Brighter Days: Decolonizing Hearts, Minds, and Books for Young Readers.” She began by zipping through a number of essential fiction and nonfiction titles for young readers, from picture books through YA; children’s literature created by Indigenous authors shows that “we have a past, a present, and a future…[we are] 3D human beings with a full range of emotion.” Still, Native books make up just under 1% of books published for kids. “Why does that matter? Because we are still here….There are Native families in your communities whether you realize it or not.” Some of these families may “fly under the radar,” partly because of distrust of schools due to past experience. That makes it more important, not less, to seek out, include, and promote literature from Native authors, because “erasure hurts kids” and “Native kids deserve more from all of us.”

Cynthia acknowledged that publishing is a slow-moving industry and “it’s hard to shake up the conventional wisdom,” but with new imprints, new interest, and demand from readers, librarians, and booksellers, change is happening. Ellen Oh and the WeNeedDiverseBooks movement have been a force for positive change, as have conferences like LoonSong and Kweli. “A single voice…is not enough,” Cynthia said, referencing times that she had been told by people within the publishing industry that there was no room, or no need, for more Native voices beyond one or two established ones. But we need more: Cynthia said, “factual information won’t matter or stick if we don’t focus on humanity. Native people are modern people. Every kid, Indigenous or not, can benefit from exposure to Native values” like honoring ancestors, and protecting land and water. Young readers deserve a chance to read the work of many Native authors.

Librarians, Indigenous or not, have an important role to play; we are ambassadors to young readers. “We can’t do it without your continued support and activism,” Cynthia said. When purchasing and recommending books, she had a few tips: look for tribal specificity, contemporary settings, present tense, accuracy, and stories of daily life. It’s important to balance the historical with contemporary, tragedy with joy. “Unfortunately, much of what happened in the past is terrible”: Acknowledge oppression, integrate joy and achievement, address miseducation, and be aware that there is diversity within each tribal nation and “identity is nuanced.”

This is year-round work and should not be limited to Native American history month or just around Thanksgiving. Cynthia encouraged us to integrate Native books into year-round reading, and across the curriculum: “We are Native every single day…[it is] otherizing and marginalizing” to limit reading books by and about Indigenous people to one time of the year. “All kids deserve a truthful education.” She closed on a hopeful note, declaring, “We are seeing tangible progress” in the publishing industry and in Hollywood.

Resources:

MSLA 2022: Melissa Stewart, champion of nonfiction

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Melissa Stewart gave an excellent presentation (“Tips and Tools for Nonfiction Read-Alouds“) at last year’s MSLA conference, so I was looking forward to hearing from her again this year, this time on the topic of “The Role of Equity in Creating Passionate Nonfiction Readers.” She started out by asking attendees to do an activity: jot down “five children’s books you love.” Then, put a check mark next to the nonfiction ones. No check marks? You’re not alone. However, we shouldn’t let our own preferences, biases, and assumptions get in the way: research shows that kids love nonfiction, both expository (nonfiction that explains, describes, and informs) and narrative.

Melissa’s talk was heavier on the “nonfiction” part than the “equity” part, but she made one crucial point that became my main takeaway from this session: Expository nonfiction is straightforward and gets right to the point, which is good for beginning readers; it is more accessible than fiction for kids who haven’t been read to (emphasis mine). For children not yet comfortable and familiar with storytelling conventions, nonfiction is more accessible. Plus, kids enjoy learning about specific topics (animals, things that go, sports, etc.) and it’s empowering for them.

Melissa asked us to consider what barriers exist between students and nonfiction books in our libraries. These barriers might stem from the organizational system the library uses (does it make sense to kids? Can they find what they want?), teacher assignments (are kids allowed to use nonfiction books as well as fiction? Do they know that?), or lack of communication between departments.

There are many things librarians can do to help kids find the nonfiction books they want: highlight them on displays, read them aloud, promote them in book talks. But the most important factor in helping students find nonfiction they love, Melissa said, is TOPIC: “the number one way” to turn “an expository nonfiction kid” on to reading is to give them a book – or some other resource – on that exact topic.

Resources:

Since Melissa’s presentation last year, I’ve been much more mindful of incorporating nonfiction into my displays, book talks, recommendations, and lists, and reading more of it myself (I particularly love picture book biographies). If/when I get the chance to work with younger elementary kiddos, I will be keeping this takeaway in mind.

MSLA 2022: Every library is organized…differently

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“Ditching Dewey or Sticking With It?”

Demco Dewey poster 900sAnna Ring of Chickering Elementary School in Dover/Sherborn conducted an action research project, surveying hundreds of elementary, middle, and high school libraries to find out what organizational systems they use: the Dewey Decimal System, an adapted version of Dewey, or something else (Library of Congress, BISAC, or a homegrown system). She found that most elementary libraries are still using Dewey or adapted Dewey, while some middle and high schools are using other systems. A few key themes emerged from Anna’s presentation and from the discussion among the participants:

  • Students should understand that every library has some organizational system; it may not be the same in every library, but once you understand the system, you can learn how to use it to find what you want. Understanding that there is an organizing principle is a transferable skill, even if another library uses a different system than the one you’re familiar with.
  • Librarians want students to feel successful, and for collections to have “maximum browsability”: “I want to make it as easy as possible for kids to find things.” This might mean grouping certain series together (like the Who Is/Who Was books) instead of sticking rigidly to Dewey. Many librarians also championed labeled bins as a way to increase visibility, browsability, and findability – there might be bins for biographies, easy readers, I Survived books, Magic School Bus, animal books…
  • Reclassifying and reorganizing takes a LOT of time, so take a slow, considered approach, and get student input!

A final small but important point: some libraries choose to “keep Dewey but ditch the decimal,” as students don’t learn decimals in math until third or fourth grade. And good signage helps!

Virtual event: Starfish author Lisa Fipps at the Newton Free Library

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Cover image of StarfishBig thanks to the children’s librarians at the Newton Free Library for organizing, promoting, hosting, and moderating a delightful virtual author visit with Lisa Fipps, author of the novel in verse Starfish, a Printz honor book. Lisa was incredibly friendly and personable, doing only a short introduction before answering tons of questions from the Newton Free Library book club and other attendees.

Some snippets:

  • On the writing process: Lisa sees “movie trailers in my head”
  • On autobiographical fiction: Ellie got “the watered down story of my life” with authentic emotions
  • To those who say “things like that would never happen”: “They do.”
  • On growing up without seeing herself in books: “I didn’t know anybody like me” (#RepresentationMatters)
  • On wanting to make post-publication changes: “I don’t know any writer who doesn’t look back on a book” and want to change something. Lisa didn’t read Starfish until six months after it was published, and while there are small things she would change if she could, “I’m okay with it.”
  • On how to get published: “First you have to write the story.” Then find an agent (hers is Liza Boyce), who will help you find an editor (hers is Nancy Paulsen).
  • Will there be a sequel or prequel? The Printz committee asked this too! Not sure.
  • On future books: Nancy is editing book number two now, and Lisa is writing book number three.
  • How long does it take you to write a book? Starfish took eight months, the next book took six. Lisa is trying to write 2-3 books a year; “I want to be a full-time author and you need to write a lot to make that happen.” (Currently she works at the Kokomo-Howard County Public Library in Indiana)
  • On that stuff on the table behind you: the penguin collection is because Nancy Paulsen’s imprint is part of Penguin Random House (which at least two librarians agree should have been called Random Penguin when they merged). The “inspiration jars” (see photo) are full of good reviews, fan letters, kind words, etc. That’s a lot of warm fuzzies!Screenshot of "inspiration jars"
  • On the role of music in writing: Lisa creates a playlist for every book she writes, to get into the characters’ heads; when actually writing, she listens to music with no lyrics.
  • How have family members responded to Starfish? “I have no idea, I’m estranged from my [biological] family” (except for a nephew); “I have families of choice.”
  • Advice for young writers? Write. And read a lot. “I try to read 3-5 books a week.”
  • What time of day do you write? Evenings after work, with marathon writing sessions (8-10 hours!) on weekends.
  • Do you read other novels in verse? Yes! The first one she read was Stop Pretending by Sonya Sones. “I think verse is a way to tell a powerful story in a short amount of words.”
  • On Ann Patchett’s advice to read your work aloud to yourself: “You will hear any clunkiness in your writing like that.” Lisa even recommends doing this while wearing foam earplugs.
  • On the therapist character in Starfish: Lisa used the wisdom of therapists mixed with the personality of a critique partner. (Readers loved Ellie’s therapist. Librarian Ms. Bery included Starfish in her list of books that normalize therapy.)
  • On Catalina’s character: Catalina is a “composite character” (bits and pieces of different people).

Thank you so much, Lisa Fipps and Newton Free Library!