MLA 2017: Charting Our Course

Conference days are long and tiring, but energizing too: It’s great reconnecting with former colleagues, classmates, and other librarian acquaintances and friends from committee meetings, other conferences, etc., and sometimes putting a face to a name from e-mail or Twitter. (The official hashtag for the conference was #masslib17.) And of course, there are always plenty of new ideas to steal borrow and resources to consult.

This year I made the most of my one day of MLA, starting with an 8:30am session and including the “YA Smackdown” during lunchtime. Without further ado…the recap!

Why Don’t Patrons READ Library Signage? Graphic Design and Libraries

Presented by Larissa Farrell (YA) and Jessica Lamarre (Children’s) from the Duxbury Free Library, and Jed T. Phillips (Tech & User Experience) from the Ames Free Library

Fonts Matter example "You'll Always Be Mine" in two fonts

From the Duxbury presentation slides. Fonts matter!

This presentation was not about wayfinding signage, but about advertising and PR. Duxbury has a six-person marketing team, including one person from each department; they meet quarterly (at least) for some big-picture discussion, and work together to ensure a cohesive look across platforms (print, facebook, instagram, etc.). They suggested getting a mid-range digital camera that all library staff could use, to ensure a minimum photo quality.

The presenters explained pixels, resolution, file types, and hexidecimal (“hex”) colors, and then shared their favorite sources for free licensed fonts (fontspring.com, fontsquirrel.com) and copyright-free images (pexels.com, Google Creative Commons search, Canva, unsplash.com, pixabay.com, NASA, LOC, NYPL, Smithsonian). Remember, a picture’s worth a thousand words – but not clipart. (“Clipart is not ideal.” “Do not use clipart.”) Images, illustrations, and fonts will all begin to look dated over time, so if your library uses a template, consider refreshing your look every few years.

Screenshot of tweet: avoid comic sans and papyrus

All three presenters use the online design program Canva; libraries can get free business accounts that up to six people can use. In addition to Canva (and Canva Design School), other graphic design programs and software include Microsoft Publisher, Adobe Photoshop or InDesign, and classes through Lynda.com.

In addition to basic technical information and specific software recommendations, the presenters also discussed the principles of graphic design, and recommended Chip Kidd’s book Go: A Kidd’s Guide to Graphic Design, which I also recommend as both an intro and a refresher.

Screenshot of tweet: form after function. Hierarchy.

Additional takeaways: Make your entrance(s) welcoming. Remember that “Where is…?”-type signage can advertise your collections and services, as well as helping people orient themselves and find what they need.

Screenshot of a tweet: Clipart is not ideal.

Transforming Teen Spaces

Presented by Jennifer Forgit from the Cary Memorial Library in Lexington and Katrina Ealy from the Holbrook Public Library

While support for teen collections has grown in many libraries, spaces and programming haven’t necessarily. YALSA policy supports a space that is exclusively for teens (see YALSA’s Teen Space Guidelines). If you don’t have a dedicated teen space in your library, where do the teens congregate? Can you make that their space? Repurpose underutilized space or move things around. (Have you weeded your print reference collection lately? Really, really weeded it?)

In Lexington, Jen was part of a very long process culminating in a major shift that included renovation. “Lots of support means lots of stakeholders”: library director, staff, trustees, Teen Advisory Board (TAB), town facilities department, Friends, Foundation, architect, library patrons & donors. They were ultimately able to move adult fiction upstairs with the rest of the adult materials and create a teen space downstairs, on the same floor as the Children’s department, which made sense to most people: Jen said she encountered less resistance to change than she’d expected.

Both Jen and Kat recommended getting input from teens. Jen advised keeping your teens involved throughout the process: dreaming, planning, decision-making, fundraising, installation. Get them involved early. But don’t make promises you can’t keep. Get feedback on choices you already know are “safe” (e.g. furniture in your price range – but let them pick the color). Furniture and shelving on casters is a great idea, so the space can be reconfigured for different uses.

Screenshot of tweet: Teens love to sit on the floor. Get a cool rug.

Kat works at Holbrook now but presented about her former workplace, the South Yarmouth Library, which is a very small library in an old sea captain’s house. They were able to take over the Friends’ book sale room (“They made about five dollars a week”) to create a space for teens: they stripped old wallpaper and put on fresh paint, got a new rug and some furniture, and added cheap, cute decorations that can be replaced every so often. They didn’t have much of a budget – just enough to cover the rug and furniture – but “small changes can make a big difference.”

Once you’ve designated a teen space, post clear signage: Lexington’s Teen Space sign is about six feet tall and reads, “This room is exclusively for the use of library patrons who are in 6th-13th grade. Others are welcome to get books and other materials from the Teen Space, but please do not linger in the room.”

Advocacy tips:

  • You can use American Fact Finder to look up population stats for your town. According to the 2015 American Community Survey, about 22.5% of Arlington’s population is 19 years old or under; nearly 10% are between 10-19 years old. That’s a not-insignificant chunk of the population.
  • The #1 reason teens try drugs is boredom (followed by anxiety and loneliness). We can help with that!
  • If someone objects, “But there aren’t any teens who use the library,” reply, “If you build it, they will come.”
  • Further resources: Teen Spaces: the step-by-step library makeover by Kimberly Bolan; VOYA’s YA Spaces of Your Dreams Collection edited by Anthony Bernier; and the aforementioned Teen Space Guidelines from YALSA.

Screenshot of two tweets about teen population stats from American Fact Finder and "if you build it, they will come"

Slides and notes from the Youth Services Section presentations are or will soon be available at the MLA YSS wiki. (Here is the MLA Conference 2017 link.) Stay tuned for my next blog post(s) on Mind in the Making, the YA Smackdown, and Step Into Your Office: The Library as a Co-Working Space.

Oh – and the Robbins Library Book Cart Drill Team finally won a much-deserved first place award! Watch the video.

 

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Nonfiction by author

Cross-posted, with a few modifications, on the Robbins Library blog as “Nonfiction: Where to Begin?

Since finding out that the public library in Northampton, Massachusetts offers “YOUR NEXT GREAT READ LIVE!” – that is, live readers’ advisory on the Forbes Library Facebook page on Fridays – I’ve been interested in doing the same, and last month I just went ahead and started. If you follow the Robbins Library Facebook page, you might have seen these sessions from the past few Friday mornings. Some comments are quite specific, mentioning particular authors, titles, or genres; but once someone simply asked for “nonfiction.”

Nonfiction is…well, everything, really, that isn’t made up. It’s a category of reading that people tend to approach more by subject than by author. That said, there are several authors who turn out a book every few years in different interesting areas, whether narrative nonfiction or memoir/personal essays. I started brainstorming (with help from my brilliant, well-read co-workers, of course), and here’s what we came up with:

Narrative nonfiction

Local author Steve Almond has written about music (Rock and Roll Will Save Your Life), chocolate (Candyfreak), and football (Against Football: One Fan’s Reluctant Manifesto). In other words, something for everyone!

British professor and influential thinker Mary Beard’s most recent book is SPQR: A History of Ancient Rome. At over 600 pages, it may take you a while, but when you do finish, don’t worry – she’s written more.

Cover image of A Walk in the WoodsBill Bryson is well-known and well-liked; you’ve probably heard of (or already read) A Walk in the Woods – it’s the one with the bear on the cover – but he has many others, including A Short History of Nearly Everything. Bryson’s writing style is welcoming and witty.

Stephanie Coontz is a social historian and author of several books, including: Marriage, A History: From Obedience to Intimacy or How Love Conquered Marriage, A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s, The Way We Never Were: American Families and the Nostalgia Trap and The Way We Really Are: Coming to Terms With America’s Changing Families.
Think you know (or remember) how it was in the ’50s? Think again.

Perhaps you are interested in letter-writing (To the Letter), fonts (Just My Type), maps (On the Map), time (Timekeepers), or a specific shade of purple (Mauve)? Simon Garfield is your man.

Cover image of The Checklist ManifestoBoston surgeon Atul Gawande is also a wonderful author, who writes with medical expertise and deep empathy, and is driven by a constant desire to improve. His most recent book is Being Mortal, but don’t miss his earlier ones: Better, Complications, and The Checklist Manifesto. (See also: Siddhartha Mukherjee.)

A staff writer for The New Yorker, Malcolm Gladwell made a splash with The Tipping Point in 2000 and has written four books since: Blink, Outliers, David & Goliath, and What the Dog Saw and Other Adventure Stories. If you’re interested in psychology and human behavior, give Gladwell a try.

Laura Hillenbrand‘s two books have been huge successes, and with good reason: they are fascinating stories, tremendously well-researched and compellingly told. Both Seabiscuit and Unbroken are very nearly un-put-down-able. Both have been made into feature films.

cover image of The Ghost MapI discovered Steven Johnson through his book The Ghost Map, about a cholera outbreak in London and how people figured out how the disease was spreading – and how to stop it. It’s like a mystery novel, except it’s real! Johnson has written several other books as well: The Invention of Air, How We Got to Now, Everything Bad is Good for You, Where Good Ideas Come From, and Wonderland. If you’re interested in innovation and discovery, past and present, try one (or more) of Johnson’s books.

Highly informative, not particularly cheerful: Elizabeth Kolbert wrote The Sixth Extinction: An Unnatural History, which won a whole slew of prizes, including the Pulitzer, in 2015; she is also the author of Field Notes from a Catastrophe: Man, Nature, and Climate Change (2007).

Mark Kurlansky writes about food and about history, often together (Salt, Cod). His most recent book is Paper: Paging Through History. Learn about the world through a new (fisheye?) lens.

One of the most prominent popular nonfiction authors, Jon Krakauer has written riveting stories of extremes: Into the Wild, Into Thin Air, Where Men Win Glory, Under the Banner of Heaven, and Missoula.

Cover image of Dead WakeErik Larson is another perennially popular nonfiction author, and with good reason: his well-researched books often use multiple narratives to tell the same story, enhancing the aspect of suspense through different perspectives. The pacing, particularly in his latest, Dead Wake: The Last Crossing of the Lusitania, is superb. His other books include The Devil in the White City, Isaac’s Storm, Thunderstruck, and In the Garden of Beasts.

Do you like extensively researched doorstoppers about historical figures? Allow me to introduce you to David McCullough, author of The Wright Brothers, 1776, John Adams, and several others.

In a starred review of The Emperor of All Maladies, Booklist wrote, “Apparently researching, treating, and teaching about cancer isn’t enough of a challenge for Columbia University cancer specialist [Siddhartha] Mukherjee…” and indeed, his “biography of cancer” won the Pulitzer Prize in 2011. Those interested in science and history should pick this one up, and try Mukherjee’s more recent book, The Gene: An Intimate History as well. (See also: Atul Gawande.)

Michael Pollan is a well-known writer on the topics of food, nutrition, sustainability, and related issues. Try The Omnivore’s Dilemma, In Defense of Food, The Botany of Desire, or Cooked. Or, for a condensed version of Pollan’s guidance, Food Rules.

Cover image of StiffMary Roach‘s clever one-word titles (with the exception of Packing for Mars, which is three words, but still intriguing) encapsulate her sense of humor and scientific curiosity, and invite you to read on to learn more about human cadavers (Stiff), the afterlife (Spook), humans at war (Grunt), sex (Bonk), and digestion (Gulp). Who knows what she’ll write about next? But it’s sure to be interesting…

Neurologist Oliver Sacks wrote about the brain and how it (sometimes doesn’t) work. Check out The Man Who Mistook His Wife for a Hat and Other Clinical Tales (1998), Musicophilia: Tales of Music and the Brain (2007), or Hallucinations (2012). Sacks published his autobiography, On the Move, just four months before he died in 2015.

Rebecca Skloot has only written one book, but what a book: The Immortal Life of Henrietta Lacks will have a lasting impact. Tumor cells taken from an African-American woman without her knowledge in the 1950s became known as “HeLa” cells, the key to many scientific discoveries. Booklist says Skloot writes with “a novelist’s artistry, a biologist’s expertise, and the zeal of an investigative reporter.”

Dava Sobel is a former New York Times Science writer. Her most recent book is The Glass Universe try it if you liked Hidden Figures by Margot Lee Shetterly – but she has been publishing steadily every few years since Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time in 1995.

Cover image of Far From the TreeIf you only ever read one 900+ page book in your life, there is a very good case for Far From the Tree by Andrew Solomon. (If 900 pages is simply too many for you, it’s worth reading the introduction, which is only about 50 pages.) Solomon writes about identity, particularly when a child has an identity that isn’t shared with the parent, such as deafness, schizophrenia, or musical genius. This book will expand your understanding of other people and increase your empathy. Solomon has also written The Noonday Demon, a book about his struggle with depression.

Interested in a bit of true crime, Victorian-style? The Suspicions of Mr. Whicher by Kate Summerscale is just that; detective Jonathan Whicher of Scotland Yard provided a model for many fictional detectives. Summerscale is also the author of Mrs. Robinson’s Disgrace: The Private Diary of a Victorian Lady and The Wicked Boy: The Mystery of a Victorian Child Murderer.

Cover image of The World Without UsEven wonder what would happen to Earth if all the humans just…disappeared? Alan Weisman takes that thought experiment and expands it into a book in The World Without Us, explaining what would last, what would crumble, and what would explode in a rather dramatic fashion. In 2013, six years after The World Without Us, Weisman published Countdown: Our Last, Best Hope for a Future on Earth?

From the seemingly tame subject of the Oxford English Dictionary (The Professor and the Madman; The Meaning of Everything) to the large and explosive (Krakatoa; A Crack in the Edge of the World), Simon Winchester writes “just the kind of creative nonfiction that elevates a seemingly arcane topic into popular fare” (Booklist).

Jeffrey Zaslow was a journalist for The Wall Street Journal and also an advice columnist. He wrote thoughtful, serious, tender books about women’s lives, including The Girls From Ames and The Magic Room, and co-wrote a number of other books, including The Last Lecture by Randy Pausch and Gabby: A Story of Courage and Hope with Gabrielle Giffords and Mark Kelly.

Personal experience/memoir/essays

Cover image of The Year of Magical ThinkingJoan Didion: There are too many books to list here, but try her memoirs, The Year of Magical Thinking or Blue Nights, or the collection We Tell Ourselves Stories in Order to Live.

Jonathan Franzen is better known as a novelist (The Corrections, Freedom, Purity), but his essays are both thoughtful and thought-provoking; he has the ability to make any topic (birdwatching; the postal service in Chicago) interesting. Try How to Be Alone, The Discomfort Zone, or Farther Away.

Elizabeth Gilbert: Probably still best known for Eat, Pray, Love, Gilbert has also written Committed: A Skeptic Makes Peace with Marriage and, more recently, Big Magic: Creative Living Without Fear. She is also the author of the novel The Signature of All Things.

Nick Hornby: In addition to writing novels and screenplays (e.g. High Fidelity), Hornby has written a decade’s worth of “Stuff I’ve Been Reading” columns for The Believer. They’re collected in Ten Years in the Tub.

Cover image of On WritingStephen King: King is best known for his novels, of course, but his book On Writing: A Memoir of the Craft is “a blend of memoir and craft” that makes for fascinating reading whether or not you ever plan to become a writer yourself.

Caitlin Moran: Colorful British feminist writer Moran wrote the hilarious bestseller How to Be A Woman, as well as essay collections Moranthology and Moranifesto. She is also the author of the novel How to Build A Girl.

Ann Patchett: Beloved novelist Ann Patchett brings the same wise, considered approach and deep understanding of people to her nonfiction writing. This Is The Story of A Happy Marriage is a collection not to be missed.

Cover image of The Happiness ProjectGretchen Rubin: The Happiness Project was a year-long personal project supported with research; it’s a memoir only a very “Type A” person could write, and may lead to other interesting academic reading. Rubin followed up the success of that book with Happier At Home and Better Than Before.

Cheryl Strayed: You know her as the author of Wild, but she also spent time as the advice columnist “Dear Sugar”; many of her columns were collected and published as Tiny Beautiful Things.

What are your favorite nonfiction books or authors? Which ones on this list are new and interesting to you?

Top Ten Historical Fiction

September kind of got away from me. September is always a busy month during which I think I’ll have more time than I do have, but this year, thanks to two bouts of stomach flu, I pretty much missed half of it entirely. Which is to say, I’ve been meaning to write a Top Ten Tuesday post for the historical fiction genre since I read Linda’s Top Ten Favorite Historical Novels blog post over half a month ago.

Historical fiction has always been one of my favorite genres. I find that the best authors in this genre are able to weave period detail into their stories in a way that is subtle and memorable at once. Even though I studied history in college, it’s the history I learned through stories that has stuck with me best.

Cover image of Wolf HallSome novels take famous figures from history and are centered around important historical events. In the case of Philippa Gregory’s The Other Boleyn Girl and Hilary Mantel’s Wolf Hall and Bring Up the Bodies, it is the court of King Henry VIII in England. In the former, Anne Boleyn’s sister Mary is the main character during Anne’s rise, marriage to Henry VIII, the formation of the Church of England, and Henry’s disenchantment with (and beheading of) Anne. For her books – the first two of a planned trilogy – Mantel takes Thomas Cromwell as her main character.

Cover image of Suite FrancaiseOther novels are about ordinary people in extraordinary times, and the draw of these stories is how their authors are able to make the time and place come to life in a way that seems real. Like Henry VIII’s era, World War II is a popular time period for historical fiction; most recently, the exceptional All the Light We Cannot See by Anthony Doerr was a bestseller (and with good reason). A few of my favorite WWII novels are Suite Francaise by Irene Nemirovsky, The Guernsey Literary and Potato Peel Pie Society by Annie Barrows and Mary Ann Shaffer, Corelli’s Mandolin by Louis de Bernieres, Life After Life by Kate Atkinson, and Code Name Verity by Elizabeth Wein.

Cover image of FeverStill a third type of historical novel features extraordinary people in ordinary (for them) times. These characters are as vivid as their settings: Mary Malone (better known as Typhoid Mary) in Fever by Mary Beth Keane, set in turn of the century New York. Katy Kontent in Amor Towles’ Rules of Civility, also in New York, in the 1930s. Regret, a Korean “picture bride” in Alan Brennert’s Honolulu. Tom and Isabel in post-WWI Australia in The Light Between Oceans by M.L. Stedman. Mattie Gokey in the Adirondacks in 1906 in Jennifer Donnelly’s A Northern Light, and Desdemona Hart in 1930s Massachusetts in Maryanne O’Hara’s Cascade.

Cover image of AstrayFor those who have been counting, this has been more than ten, but I want to mention just three more. Astray is a collection by Emma Donoghue, in which each story was inspired by a real piece of history; Donoghue is so inventive that she can spin two sentences from an old newspaper into a complete, absorbing story.

Finally, there are two books from my childhood that could be called historical fiction with a twist: Voices After Midnight by Richard Peck includes an element of time travel, and Running Out of Time by Margaret Peterson Haddix takes place in what appears to be an 1840s village, but – to the main character’s shock – isn’t.

Do you like historical fiction? Which novels are your favorites, and why? If you haven’t read historical fiction before, do any of the above sound interesting?

 

 

 

Pleasure reading should be pleasurable

Makes sense when you think about it, right? Yet so many of us feel obligated to finish a book once we’ve started it, and feel guilty if we set it aside. We really should read it, because a friend recommended it, or it got a good review, or it’s on a topic we really ought to know more about, or everyone else is reading it, or we put it on our to-read list four years ago (but we can’t remember why), or it’s a classic…fill in the blank however you like.

But unless a book is assigned reading for school or work, then presumably you’re reading for pleasure, and pleasure reading should be pleasurable. Not that you shouldn’t ever explore a new genre or try a book that you find a bit difficult, but if you’re 25 or 50 or 100 pages in and you’re just not that into it, then by all means, put it down and pick up something else instead! You have this librarian’s permission.

This is something I have worked on for years myself. I was inspired partly by Knopf editor Marty Asher, who said something along the lines of “I don’t have time to read anything but great books” (and that was almost a decade ago). Of course, you might well think a book is going to be great and it turns out not to be: you can only judge so much by the cover, title, author, first sentence, first page, flap copy, reviews, etc. Most of us don’t choose books we think we’re going to dislike on purpose.

And yet it can be so hard to put down a book we’ve invested some time in already. It feels like giving up; it feels like failure. And who knows? We’re optimistic; maybe it will get better in another 25, 50, 100 pages. But no: at some point you begin to feel certain that this book is not the one for you, at least not right now. (“Every reader his/her book, every book its reader“).

One side effect of my free time having been somewhat curtailed of late is that I have become much better at putting down a book that doesn’t hook me quickly. This is usually not a reflection on the book’s quality; it’s just not for me, not right now. For example, I have decided to return M.T. Anderson’s Symphony for the City of the Dead to the library – despite the fact that it was personally recommended to me by a reader I trust, and that it was a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults – because I just can’t get excited about the siege of Leningrad right now.

What can I get excited about? Young adult fiction, apparently: I’ve read nine YA novels so far this year, including some truly stellar books (all right, let’s name names: Simon vs. the Homo Sapiens Agenda, Like No Other, Dumplin’, Roller Girl, Echo, A Step Toward Falling, Bone Gap, Rain Reign). I’ve also read (and re-read) some excellent picture books. And, I got to read Gayle Forman’s upcoming adult novel Leave Me, which is just as good as her YA; I read it in just two days, and I have a three-month-old baby, so that should tell you something. (The thing it should tell you is “read Leave Me“!)

So there you have it, from a librarian: if you don’t like what you’re reading, and you don’t have to read it, put it down and read something you love instead. That’s the beauty of the public library: millions of books just there for the borrowing. Don’t do what I did and spend an entire month trying to slog through a book you aren’t that excited about: you’re not being graded, and ticking a box on a checklist you made yourself isn’t nearly as satisfying as spending time reading a book you love. In fact, I think there’s a song about this. Let it go…

[All that said…my library is hosting a 2016 Reading Challenge with some interesting categories, and one book can count toward more than one category. Click through to read more if you’re interested in participating.]

Do you debut? Focus on first books

I only realized how few new debuts* I read when I was offered the chance to contribute to another Reader’s Shelf column in Library Journal,New Year, Nearly New Books: Favorite 2015 Debuts.” Looking back through nearly a year’s worth of reading, there weren’t very many for me to choose from, but I did really enjoy The Magician’s Lie by Greer Macallister. If you like magic and illusion, turn-of-the-century America, and (possibly) unreliable narrators, it would be a great book to curl up with this winter.

*”New debuts” isn’t redundant, I don’t think: an author’s first book is a debut whether it was published ten years ago or ten days ago. And if it was ten years ago, then hopefully there have been a few since, and you’ve got some catching up to do!

Do you seek out debuts? I don’t make a point of it, though I certainly don’t have anything against them – if it’s recommended to me or gets glowing reviews or has a great hook, I’m just as interested in a first novel as a tenth, and discovering a new writer is a pleasure. Really, the only downside to reading a new debut is that you’ll be waiting for the next one instead of diving into an author’s backlist.

Do you like to read everything an author has written, or do you read more selectively, even if you really like the author? Do you like to read an author’s work chronologically, reverse-chronologically, or does the order not matter to you?

Books on the radio

I was invited to be on Wisconsin Public Radio at the end of December to talk about audiobooks: why people might try them, how to find a book (or narrator) they like, when they might even be preferable to print books. Being on the radio was fun! It’s archived on WPR’s Central Time website (though I haven’t listened; I don’t want to hear how many times I said “um”). If you want to download or listen online, it’s from 5:30-6pm (unless you need to catch up on your local Wisconsin news and chit-chat, in which case, go ahead and listen to the whole thing).

I’ve written about audiobooks on this blog in the past; if you missed those posts, don’t worry, you can access them here, because the internet is forever: “I’d listen to her read a grocery list: on audiobooks” (3/12/14) and “Audiobook recommendations for a friend” (10/3/14). Or if you don’t want to click through, here’s the bullet point version:

  • How to get started if you’re new to audiobooks: Try listening to a book you’ve already read; choose a shorter book; listen to the first few minutes of a few different ones to see which narrator’s voice you like best.
  • Remember, taste is subjective: You might prefer a male or female narrator, a full cast production, American voices or other accents, slow or fast talkers.
  • How to get audiobooks: You can buy them, of course, but that gets expensive! Your local library probably offers audiobooks on CD and/or Playaways (a small device that contains one whole book), and may offer downloadable audiobooks as well through Overdrive, hoopla, or another platform. If you’re hearing impaired, you can get access to audiobooks for free in every state.
  • Value-added aspects: Some authors read their own books, which can be especially fun if they are familiar voices already, like Tina Fey, Amy Poehler, Sarah Vowell, Neil Patrick Harris, or Aziz Ansari. Neil Gaiman and Jenny Lawson also read their own books, which I highly recommend.
  • A social experience: Before school vacations and holidays, lots of people come to the library looking for audiobooks the whole family can enjoy on long car trips. Finding a book everyone will enjoy can be a fun challenge depending on ages and tastes!
  • Seamless switching between formats: I haven’t done this myself, but one of the callers said she switched back and forth between the Kindle e-book and Audible audiobook; Amazon owns Audible so accounts can be synced for seamless transitions between audio and print.

Do you listen to audiobooks? Do you have a favorite genre to listen to, or a favorite narrator?

 

 

Best Books I’ve Read in the Second Half of 2015

See Top Ten Books I’ve Read So Far in 2015 from July 1. I will still talk your ear off about Greenglass House and Graceling. And Trigger Warning and NPH’s Choose Your Own Autobiography are superb audiobooks. Here are ten of the books I’ve enjoyed in the second half of the year:

Emmy & Oliver by Robin Benway: Cover image of Emmy & OliverEmmy’s best friend (and boy-next-door), Oliver, was kidnapped by his father when he was seven; he returns at age 17, and reconnects with Emmy and her friends. Good realistic/romantic fiction for those who liked The Face on the Milk Carton by Caroline B. Cooney and Sweethearts by Sara Zarr.

Slade House by David Mitchell: This haunted house story is a companion to The Bone Clocks, so of course I loved it; there’s no need to read The Bone Clocks to enjoy Slade House, though, so if this is your first foray into Mitchell’s universe, you can start with this more concise novel. The titular Slade House appears every nine years so its inhabitants can harvest a soul to prolong their lives, but the last victim it lures in is on to them. Deliciously creepy. (I got an early copy and wrote the blurb for LibraryReads.)

We Never Asked for Wings by Vanessa Diffenbaugh: Just as good as The Language of Flowers, but with illegal immigration instead of the foster care system and homelessness as the central issue. Not to say that it’s an “issue book”; the Mexican-American characters at the center of the story are real and complex, their dilemmas hard and heartbreaking.

Useful, Usable, Desirable by Aaron Schmidt and Amanda Etches: I’ve already written about this one here. If you work in a library, or design any kind of product or service or platform for library users, read this book!

Being Mortal by Atul Gawande: Cover image of Being MortalI’m consistently impressed with Gawande’s writing ability, and the clarity with which he communicates his message. In this case, he addresses the issues presented by an aging population, on both the societal and the individual level. An important book that is also easy to read.

The Dive from Clausen’s Pier by Ann Packer: If you’ve been having second thoughts about settling down with the guy you’ve been dating for years and are now engaged to, and he becomes paralyzed in an accident, do you stay with him? Or do you go? This is Carrie Bell’s decision, and The Dive From Clauden’s Pier is a character study of a young woman making a difficult decision about what she should do, and what that might mean about the kind of person she is.

Modern Romance by Aziz Ansari and Eric Klinenberg: Though I’m no longer in the dating pool, I enjoyed listening to how romance has changed and how it has stayed the same in recent history. The audiobook was great; it’s stand-up comedy backed up with smart social science.

Cover image of Unfinished BusinessUnfinished Business by Anne-Marie Slaughter: The author of The Atlantic article “Why Women Still Can’t Have It All” has written a book about the unequal value American society places on competition (ambition, putting oneself first, breadwinning) and care (providing care for children, aging parents, other family members or friends); the former is traditionally male, the latter traditionally female. In order to address gender inequality, we must also adjust the value we place on competition and care.

George by Alex Gino: George is a fourth grader who was born a boy but knows she’s really a girl. But how does she tell her family and friends? And how will they react when she does? This is most likely – hopefully – just the beginning of transgender lit for children and teens, and it’s a sweet, realistic story that avoids extremes: there’s no horrific bullying, but not everyone is instantly accepting either. George’s friend Kelly is a great character also.

Did You Ever Have a Family by Bill Clegg: Cover image of Did You Ever Have a FamilyA story of grief and guilt, told by multiple narrators – the survivors of a tragedy and those related to them. For those who liked The Illusion of Separateness by Simon Van Booy, How to Start a Fire by Lisa Lutz, The Children’s Crusade by Ann Packer, Fellow Mortals by Dennis Mahoney, The Grief of Others by Leah Hager Cohen.

That’s it for me for 2015. If I read any outstanding books in the next week, I’ll tell you about them in January. Meanwhile, what were your favorite books of the year?