Libraries in a Post-Truth World: The Conversation Continues

Back in January, there was a one-day conference called “Libraries in a Post-Truth World,” where panelists, presenters, and participants discussed the problem of “fake news,” the spread of misinformation/disinformation, the nature of truth, and what role librarians can play to help boost information literacy and media literacy. (And more. It was a pretty packed conference. See blog posts one | two | three.)

Another conference this month grew out of that one; the Massachusetts Library Association (MLA) Intellectual Freedom / Social Responsibilities Committee planned it, and it was held at Tower Hill Botanic Garden in Boylston, MA, which is by far the most beautiful place I’ve ever attended a conference.

View of Wachusett from Tower Hill Botanic Garden

View from Tower Hill Botanic Garden

The first speaker was Gail Slater, General Counsel for the Internet Association, based in Washington, DC. She had also spoken at ALA’s Midwinter conference in Boston, where she said she realized that “Librarians are the first responders and guardians of the Constitution” (a nice way to win over your librarian audience right away).

Slater’s topic was “The Right to Be Forgotten: Rulings in the EU, Their Impact on Global Internet Companies and Pending Legislation in the United States.” She spoke about “a wave of public policy challenges” to do with the internet now; one of the key questions is about internet companies’ (“online intermediaries”) responsibilities in terms of content posted by users. At the moment, Section 230 of the Communications Decency Act protects them from liability, but this “safe harbor” law may change.

Slater then moved on to speak about the Right to Be Forgotten. In a key case from Spain in May 2014, the European Court of Justice ruled that search engines are responsible for the content they point to. People in the EU have the right to be forgotten; they can petition Google to de-index links to content about themselves, as Mario Costeja Gonzalez did in the Spanish case. The information itself still exists, but a search engine won’t bring it up.

Plants in hanging basket

A hanging plant, Tower Hill Botanic Garden

Google handles these requests, weighing the public’s right to know against the individual’s right to privacy. Slater explained that in the EU, they place a higher value on the right to privacy, while in the US, we place a higher value on the right to know and free speech. This is “one of the bigger issues” on the geopolitical scale.

During the Q&A, someone asked a very good question: If a person can claim the Right to Be Forgotten or right of erasure, can a corporation claim it? Slater thought there were two reasons this was unlikely, even in the EU: first, the definition of a “data subject” is an individual citizen, not a corporation; and second, the request itself would become a news event, reminding everyone of the original story that the corporation is trying to erase.

Someone else asked what librarians can do about some of these issues. Slater said librarians can speak out about the importance of speech and the right to know. In the EU, privacy is considered a human right, but free speech is important too. She spoke of these as “competing equities” that require a careful balance.

Reflecting pool with turtle fountains

Turtle fountains in the Winter Garden, Tower Hill Botanic Garden

The second speaker was Shawn McIntosh, Assistant Professor of English and Digital Journalism & Communications at Massachusetts College of Liberal Arts. His topic was “Journalism Today: Learning to Trust the First Rough Draft of History.” Unlike Slater, he read a prepared speech, in the manner of a formal lecture. Rather ironically, he quoted Jay Rosen: “Journalism is a conversation, not a lecture.”

McIntosh spoke about what has and hasn’t changed in journalism. “Fake news” isn’t new, of course – there has always been propaganda, biased and partisan writing, and satire. However, “Willingness to accept the lies or spin them as ‘alternative facts’ or not caring is new.”

McIntosh said that his background in strategic communications (a.k.a. PR, a.k.a. “the dark side”) had been helpful: knowing how and why persuasion works, and how attitudes can be impervious to change even/especially when confronted with facts gives perspective to the news climate today. “Beliefs,” he said, “eat facts for lunch.” Research shows that presenting facts to counter someone’s beliefs does not work to change their minds (a disappointing thing for a roomful of librarians to hear).

Over the past few decades, McIntosh said, there has been a broad shift that is “dangerous to our civic and cultural life,” an erosion of public trust in experts and institutions. Journalists are seen as biased and untrustworthy sources. (Librarians, on the other hand, enjoy a high degree of social trust.)

Tree with fall foliage

A tree with fall foliage, Tower Hill Botanic Garden

What are the obstacles? Journalists are overworked and underpaid, and employees and coverage are being cut back, so there is more use of wire service content and less reporting on local issues. Less advertising leads to more cutbacks in a downward spiral. And the 24-hour news cycle certainly doesn’t help.

What can be done? “Journalism has to get back to its roots and break free from its modern traditions.” Rather than attempting or pretending to be objective, journalists must provide context for their stories. “Narrative and stories are how we make sense of the world….News is socially constructed. Acknowledge that.” Furthermore, because of mass communication and social media, the lecture style of journalism no longer works; it must be a conversation.  Within this conversation, though, “people will seek trusted voices,” and curation (the librarian ears perk up) “will play more of a role than it has so far.”

In this environment, McIntosh said, “Developing higher-order critical thinking skills is crucial….News literacy and information literacy skills are vital.” Librarians, of course, are on board with information literacy and media literacy, but McIntosh also said, “It can’t be all consumption, it must be production too.” People need to look under the hood to get an idea of how things work. Here, he said, is a “natural place for libraries, educations, journalists to meet.” People meeting face to face in libraries and classrooms can lead to “exchanges and dialogues between people of different views, [which] can start to break down polarization.”

Stone bench and plants

After a lunch break and a walk around the beautiful grounds, we reconvened in the conference room for a panel on “Combating Disinformation in Your Library.” I spoke, along with Andrea Fiorillo of the Reading Public Library and Bernadette Rivard of the Bellingham Public Library, about what we have done in our libraries to increase information literacy and media literacy.

Photo of panel from a conference attendee's Twitter account

Bernadette Rivard, Jenny Arch, Andrea Fiorillo

Last December, Bernadette wrote a blog post encouraging library users to “think before you share,” and giving tips on how to evaluate news sources. Andrea ran a “civil civics” series, bringing in speakers such as Melissa Zimdars (who was on the panel at the January conference; she also got online access to newspapers for the library’s patrons. (Most libraries still subscribe to newspapers in print, but because most people read the news online, digital subscriptions are another way the library can help connect people with quality information.) I spoke about my “What Is Fake News?” pamphlet, display, and library blog posts, and went over some tips that I’ll be sharing in a future library blog post.

View of the pergolas from the Secret Garden

View of the pergolas from the Secret Garden

After the panel, we returned to our tables for small group discussion on the following four questions:

  1. What does the term “fake news” mean for librarians and the communities we serve?
  2. What are some creative and traditional approaches for librarians to support First Amendment awareness and education?
  3. What are your library’s barriers and supports to promoting media literacy?
  4. What has your library done and what would you like to do to support media literacy?

Conference organizers will be compiling the replies and sending them out to participants, so I may share those here later. At our table alone, we had a mix of public librarians (children’s and adult) and school librarians; I imagine academic librarians would have had a different set of answers. The hashtag for the conference, #mlafreedom, purposely didn’t include a date, so it may be used for related events in the future.

What does your library do to promote information literacy and media literacy? What role(s) do you think librarians can play in our current information environment? Do you have blog posts or handouts to share?

 

 

 

 

 

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MLA 2017: Charting Our Course

Conference days are long and tiring, but energizing too: It’s great reconnecting with former colleagues, classmates, and other librarian acquaintances and friends from committee meetings, other conferences, etc., and sometimes putting a face to a name from e-mail or Twitter. (The official hashtag for the conference was #masslib17.) And of course, there are always plenty of new ideas to steal borrow and resources to consult.

This year I made the most of my one day of MLA, starting with an 8:30am session and including the “YA Smackdown” during lunchtime. Without further ado…the recap!

Why Don’t Patrons READ Library Signage? Graphic Design and Libraries

Presented by Larissa Farrell (YA) and Jessica Lamarre (Children’s) from the Duxbury Free Library, and Jed T. Phillips (Tech & User Experience) from the Ames Free Library

Fonts Matter example "You'll Always Be Mine" in two fonts

From the Duxbury presentation slides. Fonts matter!

This presentation was not about wayfinding signage, but about advertising and PR. Duxbury has a six-person marketing team, including one person from each department; they meet quarterly (at least) for some big-picture discussion, and work together to ensure a cohesive look across platforms (print, facebook, instagram, etc.). They suggested getting a mid-range digital camera that all library staff could use, to ensure a minimum photo quality.

The presenters explained pixels, resolution, file types, and hexidecimal (“hex”) colors, and then shared their favorite sources for free licensed fonts (fontspring.com, fontsquirrel.com) and copyright-free images (pexels.com, Google Creative Commons search, Canva, unsplash.com, pixabay.com, NASA, LOC, NYPL, Smithsonian). Remember, a picture’s worth a thousand words – but not clipart. (“Clipart is not ideal.” “Do not use clipart.”) Images, illustrations, and fonts will all begin to look dated over time, so if your library uses a template, consider refreshing your look every few years.

Screenshot of tweet: avoid comic sans and papyrus

All three presenters use the online design program Canva; libraries can get free business accounts that up to six people can use. In addition to Canva (and Canva Design School), other graphic design programs and software include Microsoft Publisher, Adobe Photoshop or InDesign, and classes through Lynda.com.

In addition to basic technical information and specific software recommendations, the presenters also discussed the principles of graphic design, and recommended Chip Kidd’s book Go: A Kidd’s Guide to Graphic Design, which I also recommend as both an intro and a refresher.

Screenshot of tweet: form after function. Hierarchy.

Additional takeaways: Make your entrance(s) welcoming. Remember that “Where is…?”-type signage can advertise your collections and services, as well as helping people orient themselves and find what they need.

Screenshot of a tweet: Clipart is not ideal.

Transforming Teen Spaces

Presented by Jennifer Forgit from the Cary Memorial Library in Lexington and Katrina Ealy from the Holbrook Public Library

While support for teen collections has grown in many libraries, spaces and programming haven’t necessarily. YALSA policy supports a space that is exclusively for teens (see YALSA’s Teen Space Guidelines). If you don’t have a dedicated teen space in your library, where do the teens congregate? Can you make that their space? Repurpose underutilized space or move things around. (Have you weeded your print reference collection lately? Really, really weeded it?)

In Lexington, Jen was part of a very long process culminating in a major shift that included renovation. “Lots of support means lots of stakeholders”: library director, staff, trustees, Teen Advisory Board (TAB), town facilities department, Friends, Foundation, architect, library patrons & donors. They were ultimately able to move adult fiction upstairs with the rest of the adult materials and create a teen space downstairs, on the same floor as the Children’s department, which made sense to most people: Jen said she encountered less resistance to change than she’d expected.

Both Jen and Kat recommended getting input from teens. Jen advised keeping your teens involved throughout the process: dreaming, planning, decision-making, fundraising, installation. Get them involved early. But don’t make promises you can’t keep. Get feedback on choices you already know are “safe” (e.g. furniture in your price range – but let them pick the color). Furniture and shelving on casters is a great idea, so the space can be reconfigured for different uses.

Screenshot of tweet: Teens love to sit on the floor. Get a cool rug.

Kat works at Holbrook now but presented about her former workplace, the South Yarmouth Library, which is a very small library in an old sea captain’s house. They were able to take over the Friends’ book sale room (“They made about five dollars a week”) to create a space for teens: they stripped old wallpaper and put on fresh paint, got a new rug and some furniture, and added cheap, cute decorations that can be replaced every so often. They didn’t have much of a budget – just enough to cover the rug and furniture – but “small changes can make a big difference.”

Once you’ve designated a teen space, post clear signage: Lexington’s Teen Space sign is about six feet tall and reads, “This room is exclusively for the use of library patrons who are in 6th-13th grade. Others are welcome to get books and other materials from the Teen Space, but please do not linger in the room.”

Advocacy tips:

  • You can use American Fact Finder to look up population stats for your town. According to the 2015 American Community Survey, about 22.5% of Arlington’s population is 19 years old or under; nearly 10% are between 10-19 years old. That’s a not-insignificant chunk of the population.
  • The #1 reason teens try drugs is boredom (followed by anxiety and loneliness). We can help with that!
  • If someone objects, “But there aren’t any teens who use the library,” reply, “If you build it, they will come.”
  • Further resources: Teen Spaces: the step-by-step library makeover by Kimberly Bolan; VOYA’s YA Spaces of Your Dreams Collection edited by Anthony Bernier; and the aforementioned Teen Space Guidelines from YALSA.

Screenshot of two tweets about teen population stats from American Fact Finder and "if you build it, they will come"

Slides and notes from the Youth Services Section presentations are or will soon be available at the MLA YSS wiki. (Here is the MLA Conference 2017 link.) Stay tuned for my next blog post(s) on Mind in the Making, the YA Smackdown, and Step Into Your Office: The Library as a Co-Working Space.

Oh – and the Robbins Library Book Cart Drill Team finally won a much-deserved first place award! Watch the video.

 

Libraries in a Post-Truth World, Part III: Afternoon Discussion

See Part I and Part II of Libraries in a Post-Truth World.

Workshop Ideas posterboard with post-its

In the Fact, Truth, and Trust group of academic and public librarians and researchers, we discussed confirmation bias, verifying social media content, emotions vs. facts, and building an information diet. We started with introductions and why we had chosen this group. People expressed interest in:

  • How to separate fact from opinion (“Where does truth lie in a society that’s all about opinion and rhetoric?”)
  • How to have programs in libraries and schools without political slant or agenda
  • Advocacy for funding for librarians in schools
  • Teaching/encouraging critical thinking skills
  • Information-seeking behavior and narrative theory, how people construct narratives
  • Trust in/use of data (what people talk about when they talk about data; presentation of data)

One participant commented that “Uncovering bias is one of the highest-order thinking skills we have…it can be almost invisible.” As one of the panelists had pointed out earlier, confirmation bias affects people on both/all political sides. Two people mentioned the site allsides.com (“Don’t be fooled by bias. Think for yourself”), which offers left, right, and central perspectives for real news stories. 

Eventually we came to the idea of “building an information diet” and spent most of our time discussing how we might use that idea to offer library programs on information literacy. The diet analogy will be immediately familiar to most people: a healthy information diet, like a healthy food diet, should be varied and mostly wholesome. There are many ways to approach this:

  • Read/watch/listen to a news source that has the opposite perspective from your usual source(s). Expand/broaden your news-universe; whether or not you agree with it, know where the other side is coming from. Begin to build a bridge from your emotional comfort areas to increase empathy. You may not change your mind, but understand where others are coming from.
  • Debate whose responsibility it is to curb “fake news”/ propaganda/misinformation/disinformation. Social media platforms? The government? Individuals?
  • Incorporate international media sources: look at international coverage of world news and U.S. news. If teaching a class or workshop, international examples are less political, as are sports and entertainment/cultural coverage.
  • Affirm belief in truth and facts: encourage people to be skeptical, but convince them that verification is possible.

As for specific program ideas:

  • Include it in existing summer reading programs.
  • Use the “Whole 30” model, or modify it to a day- or week-long challenge. Those who want to participate can meet at the beginning and end to discuss their strategies and results.
  • Create a game aspect with competition and prizes. Tracking down original sources can be like a mystery or a treasure hunt.
  • Try a version of the Human Library to encourage discussions across political differences. A conversation with a real live person is more likely to change someone’s mind (or create that empathy bridge) than reading an article.
  • Checkology from the News Literacy Project can be used in public libraries. It’s designed for students in grades 6-12 but some parts are appropriate for adults as well.

It’s important to maintain the trust that people already have in libraries, and strike a balance between advocacy and alienation. Be aware that the term “fake news” itself is very polarizing. (But “propaganda” is even more so.) Frame information literacy programs as helpful for “brushing up your skills” instead of teaching something entirely new. 

The information diet idea isn’t original to the Libraries in a Post-Truth World conference; a NYT article has been published since the conference on the same topic (“Fatigued by the News? Experts Suggest How to Adjust Your Information Diet,” Christopher Mele, The New York Times, February 1, 2017). This article was somewhat short on actual suggestions, however, beyond (1) seeking out positive news as an antidote to the barrage of negativity, (2) reading a print newspaper instead of Internet sources, and (3) not reading or watching the news before bed. It also links to an article that cites Dan Gillmor, who popularized the “slow news” movement, partly as a reaction to the 24-hour news cycle.

I used to read Dan Gillmor’s blog regularly, and actually did an activity he assigns to the students in his media literacy class at ASU: to track your own media consumption for one day. It was interesting to do, and could easily be adapted into a library program if patrons were interested in sharing their experience.

I’m grateful for the experience of attending this conference, and hope to put some of the ideas to work here in my library.

“Truth will ultimately prevail where there is pains taken to bring it to light” –George Washington

Libraries in a Post-Truth World, Part II: Morning Panel

See the first Libraries in a Post-Truth World conference post here.

The panelists:

John Palfrey, Head of School, Phillips Academy, and author
Mary Robb, Teacher, Media Literacy and Democracy, Andover High School
Adam Schrader, Former Facebook editor and news fact checker
Damaso Reyes, Program Coordinator, The News Literacy Project
Melissa Zimdars, PhD, Assistant Professor of Communication at Merrimack College
Catherine Tousignant, English Instructor, Phillips Academy
Alison Head, PhD, Project Information Literacy
John Wihbey, Assistant Professor of Journalism and New Media at Northeastern University
Claire Wardle, First Draft News
Ben Sobel, Fellow, Berkman Klein Center for Internet and Society, Harvard University

Right away, many of the panelists took issue with the term “post-truth”:

  • Not post-truth but post-accountability; the responsibility is on all of us to call out inaccuracies. It is important to teach students the skills to tell fact from fiction. (Mary Robb)
  • “Post-truth” is a useful way to think about how information and politics are converging. Immediacy sacrifices deep digging. When people only read headlines, what kind of information are they taking from that and what does that mean? Variety of the internet includes misinformation and disinformation (and “bullshit”). (Melissa Zimdars)
  • “There is a world of truth and a world of facts and it doesn’t go away. But there’s also a world of words that occupies its own space…the words have their own power.” Who has authority? Whose authorship is valuable and meaningful? Perspective does matter. Words have power even if they’re untrue. (Catherine Tousignant)
  • Students look for consensus, not answers/truth….Untruth works well when it confirms how you feel. (Alison Head)

They also discussed “fake news” and its synonyms:

  • There is a difference between untruth and bias. (Adam Schrader)
  • “Fake news” is a new term for an old thing – PROPAGANDA. It is important to call these things by their actual names. (Damaso Reyes)
  • A lot of the fake news propagated during the election were fueled by economic motives, not political ones (clicks = money). Antidotes/possible correctives are complicated. (John Wihbey)
  • “I don’t want to take us down the rabbit hole of darkness, but…we have to think about this” ability to create and disseminate. Trust shifts. Trust bubbles/filter bubbles increase peer-to-peer influence in the absence of gatekeepers. (Claire Wardle)
  • The best way to combat fake news is to understand how it is created and disseminated. (Adam Schrader)

Information literacy, media literacy, news literacy:

  • “Information is coming towards [students], they don’t have to seek it out….Reach has become a proxy for authority. There are more sources of information” being seen as valid. (Damaso Reyes)
  • There has been a slippage in authority – we’ve moved from scarcity to abundance [of information], moving target. (Alison Head)
  • Confirmation bias is a bipartisan challenge (Damaso Reyes)
  • “We’re surrounded by editorial speech” (e.g. Google search autocomplete). “[People think] the way we obtain our news…are neutral conduits for information, when in fact they are not.” What does it mean to hold Google and Facebook accountable? (Ben Sobel)

What can librarians do?

  • Librarians are the “intellectual beating heart of our institutions.” (John Palfrey)
  • Different types of libraries can take different actions. Read Pew reports, PIL reports, etc. Libraries are a trusted institution. (Whereas newspapers are less so now.) Librarians are good at ferreting out what exists and good at making partnerships. Librarians are in the right position to make an impact. (Alison Head)
  • Academic libraries trying to prepare students to be successful may be using the ACRL Framework for Information Literacy for Higher Education, though this framework mentions quality but not truth. Evaluation is the one skill students tend to take and build on. What kind of tools [for evaluation of information] already exist? What partnerships are formed around those tools?  Twitter Trails is one example of a tool to determine where information came from and how it spread.  (Alison Head)
  • Public libraries are going through a shift not unlike the shift newspapers and media have gone through….It’s not about directing a student to a book…it’s about teaching them how to find information. The best thing librarians can do is give students/patrons the tools to find, sort, prioritize information. “It’s about having the tools to interrogate the information that you find.” (Damaso Reyes)
  • Teach students to look for WAIL in news stories: Word choice, Adjectives/adverbs, facts Included, Left out. Sometimes you don’t know what’s left out until you consult another source. Students used to come to school for information, now they have information but don’t know its quality. Teach critical analysis. (Mary Robb)
  • Have programs with journalists. What libraries could do is bring in different journalists who covered the same event and have them “unpack” how they covered that story: what goes into news creation, how stories can be reported in two different ways. (Damaso Reyes)
  • Students love to talk to journalists. It’s a great way to get students to understand how news is created. (Melissa Zimdars)
  • Improve (or help explain) the presentation of information, e.g. from government websites. Improve library websites – they could be much more user-friendly. (John Wihbey)

Q&A

Question for the journalists on the panel: What process do you use for fact-checking?

Panel response: It depends on the type of fact. For a quote, try to find video or audio recording of the person saying it (video is better, so you can carefully examine whether the sound and the lips moving sync up – both audio and video can be faked). For a statistic, go to the organization that issued it. Obtain multiple, credible sources. Cross-verify independently. Use government sources (but be skeptical about these too). Sometimes it’s better to “wait for the debris to clear,” then accurately report the truth. For verification of unofficial sources (e.g. social media content), try to determine the providence, source, state, location.

Question/comment: How to evaluate validity and quality is a complicated problem. Librarians are best-trained to deal with this problem, even better than journalists (who are often trying to be first to break the news). Provide evidence of incorrect information/lies. As humans we just cannot process all of this information. Tech people can create plug-ins to create alerts for lies, satire. Companies must cut off advertising to fake news purveyors. Schools need to teach media literacy and critical thinking. People should understand the scientific method and apply it to your everyday thinking and decisions. Understand the difference between fact and opinion. Understand who you are – know your biases.

Panel response: Silicon Valley needs to hire a nation of librarians! There are some programs and browser plugins that can help (e.g. Hoaxy). Re: Citizen journalism and breaking news: encourage students to keep off of social media (either viewing or sharing) during breaking news situations.

Question: Those of us who teach information literacy classes traditionally direct our students to government websites….

Panel response: During the government shutdown, many pages were inaccessible. Approach with skepticism. Each president has a different agenda; what have they said on a topic? Look elsewhere for information. Figure out which information source is most appropriate for each task. There are more ways to get information, there are ways to evaluate it. Someone introduced an idea about different versions (algorithms) of Facebook, as alternate versions of their usual (secret) algorithm; users could choose the MIT version, LOC version, etc.

All that discussion and Q&A filled an hour and a half and gave participants plenty to think about. In my next post, I’ll write about the afternoon discussion session on “fact, truth, and trust,” where we came up with ideas to use in academic and public libraries.

Libraries in a Post-Truth World

On Thursday, January 26, I attended a one-day conference hosted by Phillips Academy in Andover called “Libraries in a Post-Truth World.” There was some helpful pre-conference reading about fake news and hoaxes, information overload, and media literacy:

Why America is Self-Segregating” and “Did Media Literacy Backfire?” by danah boyd, January 9 & 10, 2017

Many Americans Believe Fake News Is Sowing Confusion,” Pew Research Center, December 15, 2016

The Real History of Fake News,” Columbia Journalism Review, December 15, 2016

At Sea in a Deluge of Data,” Alison J. Head and John Wihbey, The Chronicle of Higher Education, July 7, 2014

Mike Barker, Director of Academy Research and Library Services at Phillips Academy, introduced the morning’s panelists:

John Palfrey, Head of School, Phillips Academy, and author
Mary Robb, Teacher, Media Literacy and Democracy, Andover High School
Adam Schrader, Former Facebook editor and news fact checker
Damaso Reyes, Program Coordinator, The News Literacy Project
Melissa Zimdars, PhD, Assistant Professor of Communication at Merrimack College
Catherine Tousignant, English Instructor, Phillips Academy
Alison Head, PhD, Project Information Literacy
John Wihbey, Assistant Professor of Journalism and New Media at Northeastern University
Claire Wardle, First Draft News
Ben Sobel, Fellow, Berkman Klein Center for Internet and Society, Harvard University

The panelists were all informed and articulate, experts in their fields; they could have spoken for much longer, but we used the rest of the day for two presentation sessions (Damaso Reyes on The News Literacy Project and Checkology, Alison J. Head on Project Information Literacy), identifying areas of focus for the afternoon discussion, reforming into discussion topic groups, and reporting our results to the other participants.

“Librarians are good at ferreting out what exists and good at making partnerships. Librarians are in the right position to make an impact.” -Alison Head

I attended Damaso Reyes’ presentation on Checkology (“how to know what to believe”), a news literacy program designed for 6th-12th grade students. Reyes showed us videos created for the program (Peter Sagal was in one!) and guided us briefly through the four modules: (1) Filtering news and information; (2) exercising civic freedoms; (3) navigating today’s information landscape; and (4) how to know what to believe. Some key takeaways:

  • “Information literacy is not what it should be in our society, and that’s a threat to our democracy.”
  • When reading/listening to/watching news, ask: What is the primary purpose of this information? (To inform, to entertain, to convince, to provoke, etc.)
  • Consider the role of algorithms and personalization. The information you’re getting is filtered – think about how and why.
  • Trying to teach students to be skeptical, not cynical.
  • Critical thinking & skepticism is an important skill, and should not be outsourced to technology even if it could be (e.g. plugins). “We shouldn’t depend too much on technology to save us.”
  • What you share online has your credibility attached to it.
  • We are all susceptible to confirmation bias.
  • Society stops functioning if we can’t agree on some things (i.e. facts). A fact is something we can all agree on but it is also something we can independently verify.

After the presentation, we talked in small groups to come up with discussion topics for the afternoon. Two of the Phillips Academy librarians sorted our ideas into loose categories:

Partnerships & Collaboration with Faculty
Partnerships & Collaboration with Community
Professional Development
Fact, Truth, & Trust (I was in this group)
Access to Information
Lesson Plans
Teaching Approach
“Other”

I will be writing another blog post (or two) soon about the morning panel and the afternoon discussion. In the meantime, I’d like to share a handout I made for my library to accompany our display on media literacy. Here is the PDF of the tri-fold pamphlet: updated 2/16/17, 3/1/2017 – I have made a new version without the Robbins Library logo, with a Creative Commons license. Please feel free to use and share: 2017-01-fakenewsbrochure-update-2017-03

Flaunt It, Baby: Creating Inventive Library Displays

I’ve had this “creative library display ideas” post kicking around in my drafts folder here for the better part of a year, and I realized…someone else should write it. Specifically, my kickass colleague Rob Lorino (@lostboybrarian), because he makes some of the best displays I’ve ever seen. Take it away, Rob!

Confession: Making displays is probably my favorite part of being a librarian.  I think that’s due in part to my photography background.  I tend to put photographers in two categories:  there are the documenters, who try to capture the world as they see it, and there are the constructors, who create objects, situations, and worlds to photograph.  I’m firmly in the latter camp, and the skills I’ve developed creating props, outfits, and more for photo shoots have really lent themselves to the art of display making.

ral_bhm

The Black History Month display featuring a timeline of events from the 1960s-present, as well as a variety of materials to check out.

Photography background aside, why do I love making displays so much?  Making displays combines creativity, problem solving, and self-promotion.  (Or is that shelf-promotion?)   You get instant feedback and can see how patrons are responding.  Honestly, it’s still a small rush for me every time I see an empty spot on one of my displays.  It’s also value added for your patrons by collecting materials that don’t necessarily get shelved together.  Sure you can point patrons to the 970’s if they’re looking for books for Black History Month, but you’re missing so many other areas that are just as relevant to Black History month: biographies, parts of the 300’s, movies, music, etc.

ral_videogames

A display highlighting the new collection of adult video games.

I’ve been lucky enough to work in libraries that have pretty much allowed me carte blanche in terms of selecting themes for my displays.  I largely pick a theme based on what’s been on my mind recently; but that’s not me being lackadaisical. If you’re paying attention to current events and pop culture, what’s on your mind will in all likelihood be what’s on your patrons’ minds.  I’ve done displays based on holidays, like Black History Month and Banned Books Week. I look to current events as well, like with my display of Oscar-winning films.  Sometimes I’m inspired to highlight a collection that I know some patrons don’t know we have, like Playaways or graphic novels.  Other times I’ll use the season or other feature of a month to get a little punny, like a “cold-hearted characters” display I did in December, or a “fall into adventure” display of autumn-colored covers I did in November.  Displays are a great way to show off new collections too:  I made a display celebrating the addition of adult video games to our collection.

ral_graphic

A display of graphic novels with speech bubble text.

After I’ve got a theme, I try to visualize what I want my display to look like.  Bold, graphic, and unexpected are adjectives I try to keep in my head throughout the process.  For me, displays are places to catch patron’s attention visually, not necessarily places to feed patrons lots of information.  If you can do both, that’s great!  But the visual impact is key to making patrons walk over and engage.  Don’t muddy the waters by putting too much on your display – negative space is just as important as your visuals.  It’s also important to remember that books or other materials will be occupying the same space as the rest of your display.  You’ll want to remember to make sure that the materials don’t get in the way of important parts of your display.  The materials will also be another layer of visual interest, which is why I try for more simple but graphic visuals on my displays.

ral_playaway

A display of Playaways featuring a homemade jumbo AAA battery.

When it comes to the actual construction of displays, I try my best to make or borrow as many elements of my display as possible.  I will occasionally buy a piece here or there if I’m really married to a specific idea, but a lot of times you can make things using really basic materials like construction paper, poster board, card stock, glue, etc.  I recently made a (fake) jumbo size AAA battery using a roll of paper as a base and covering it with construction paper.  Websites like Pinterest and other crafty blogs have innumerable guides and tutorials on how to create pretty much anything you’d need.  Creating interesting lettering or graphics is easier than ever now with software like Publisher, InDesign, and Photoshop, and free online tools like Canva.  I feel like every display I make teaches me something new or a way to be more efficient next time, through trial and error.  Learning things like the fact that painting on card stock might make it warp or that different types of glue are more effective on different materials aren’t necessarily intuitive to folks (like me) that don’t craft all the time.

ral_oscars

A display of Oscar-winning films includes an Oscar statuette, a film reel, tickets, and the movies themselves, all framed by fancy red curtains.

I tend to judge the success of a display by three things: did materials get checked out, did people stop and browse the display, and did patrons comment to staff about the display.  Having materials move off the display is the most obvious, but the other two are just as important.  Even if a patron doesn’t physically take anything from your display, if you get them to notice it you’ve still given them something.  That something could be knowledge of something the library offers. It could be perspective on something in the world; several people relayed that they had an “aha” moment with the tagline “Black History Is Now” I used for my Black History Month display.  It could even just a positive experience, like a chuckle at your bad pun or appreciating the artistry of the display itself.  Sometimes it’s hard to capture the latter two, so if you notice patrons stopping to look at a coworker’s display or if patrons say something nice about a display, definitely let your coworkers know!

I know that thinking up new displays and executing them every month can feel like a slog to some people, but displays are an incredibly important service we provide to our patrons.  They can be a really fun and engaging way to interact with your patrons – don’t underestimate them!

Thanks, Rob! (Again, he’s at @lostboybrarian on Twitter.) Does anyone else have any display ideas they’re proud of? Stuff you’ve always wanted to try? Challenges? Handy crafting tips? Please share in the comments!

 

Coding in libraries

Does your library offer coding programs for kids, teens, or adults? These programs are becoming more popular in libraries (e.g. Girls Who Code). If your library offers, has offered, or has considered offering a learn-to-code program, take this quick 4-question survey to help the developers of a webinar for LITA (the Library Information Technology Association) understand the state of coding programs at libraries.

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For most people, it’s not necessary – and may not even be useful – to learn any one particular coding language, but having an understanding of how code works can be really helpful. More and more, how stuff works is becoming opaque and mysterious. We have a culture of obsolescence that encourages consumers to replace rather than repair something when it breaks. In addition to being wasteful, this can have dangerous implications, especially for privacy. Also, I believe that user experience will improve when the people who write the code behind the tools, platforms, and services we use are more diverse. People tend to design things with themselves in mind as the typical user, which often leads to poor design (this is why usability testing is so important!).

What do you think of offering coding programs in libraries?