On Maintenance

Innovation is exciting and splashy; maintenance doesn’t get the same attention, but it’s absolutely essential. As Jenny Odell writes in How to Do Nothing: Resisting the Attention Economy (2020), “Our very idea of productivity is premised on the idea of producing something new, whereas we do not tend to see maintenance and care as productive in the same way.” And here’s John Green quoting Kurt Vonnegut in The Anthropocene Reviewed (2021): “[O]ne of the flaws of the human character is that ‘everybody wants to build and nobody wants to do maintenance.'”

Icon of a calendar and a clock from The Noun ProjectMy own human character is certainly flawed in other ways, but for the most part, I really enjoy “doing maintenance.” (Although it would also be really nice to trim my nails to the right length once and have them stay that way forever. Alas.) In the context of library work, though, it can be challenging to show how much time and care go into maintaining the programs, services, and space; nothing runs on autopilot, and everything takes time. Some tasks are daily, some weekly, some monthly, some quarterly or annually or as-needed, but it all adds up.

Library jobs are not the only ones affected by “scope creep” or “mission creep.” We’re often asked to – and praised for – “do(ing) more with less” (usually less resources and/or staff) but at some point, just maintaining everything you’re already doing takes all of your time, so in order to add something new, you have to take something away. In my current job, I’m fortunate that I’m not being pressured to do more all of the time, and I don’t have to push back and set those boundaries. (If you are in that position, a helpful phrase is, “Yes, we can do [new thing]. What are we going to reduce or stop doing in order to do [new thing]?” or some variant of that.)

Hands arranging tangrams on a tableMy approach for the first year or so of this job was to maintain the programs that were already in place and popular, and try some new things too: the “Throw it at the wall and see what sticks” approach. Some were successful and are still going (Lego & Games two afternoons a week); some never got off the ground (Girls Who Code, Caregiver Cafe); some were successful for a while but ran their course (Pokemon Club, Comics Club, My First Book Club). When introducing a new program, you want to give it a few chances; don’t cancel it if no one shows up the first time.

As the new calendar year begins, I’ve made some changes to our programs: I replaced Comics Club/Comics & Crafts with STEAM Time, and My First Book Club is going on hiatus until summer; it might be a summer-only program, as it’s especially helpful for families with rising kindergarteners. Caregiver Cafe didn’t work out, but Baby Lapsit Storytime has been a great success.

Again, I’m fortunate that I have the autonomy to make these decisions and these changes, and respond to community needs. “That’s how it’s always been done,” on its own, is not a good reason to continue doing things that way; at the same time, new is not always better. What programs are most popular in your library? What programs have flopped? Which have been successful?

three small blond kids holding a parachute

Emma Donoghue at Odyssey Bookshop

Cover image of The Paris ExpressOn St. Patrick’s Day, author Emma Donoghue was interviewed at the Odyssey Bookshop in South Hadley, and I was able to squeeze in a visit in the middle of my library shift (and be back in time for Pajama Storytime). I’ve been reading Emma Donoghue’s books my whole adult life: since 2007, I’ve read fourteen of her books, and I’m looking forward to reading her newest, The Paris Express, as soon as my library copy comes in. It was a treat to hear her speak about her new book, research, adapting novels into other forms, being Irish and Canadian, and more. Here are a few snippets from the interview:

  • On being an Irish writer, even though she’s lived in Canada since 1998: “The first twenty years are the years that mark you and shape you.”
  • On the topic of the train crash: “I’ve always wanted to write about a disaster of some kind.” They bring a cross-section of people together. The train journey gives shape to the novel.
  • On anarchists and explosions: “They were never that clear how blowing things up would help.”
  • On pacing: “Speed is the heart of the novel.” (One entitled rider demanded an unscheduled stop, adding ten minutes to the trip, which the transit employees tried to make up later in the journey: “So basically one rich arsehole ruined it for everyone.”)
  • On characters being cut from the novel: All of the characters were interesting people, but they “had to be having an interesting day,” even if the conflict they faced was mostly internal. “What I love about novels is that you can jump into the head of each character in turn.”
  • On writing a novel with a large cast: “It was like planning an amazing dinner party,” bringing people together and seeing how they interacted.
  • On novels being made into films: “I don’t think about film when I’m writing a novel…each form has its own strengths…I love doing adaptations” [of her own work and others’, such as the upcoming H Is for Hawk]. Writing the story as a novel first, then adapting to film, is the right sequence; a novel allows for “rich imagining.”
  • On adapting someone else’s work: “I felt like a tiny figure climbing inside a machine made by someone else.”
  • On the writing process: “It never feels as if you’re alone…” I feel as though I’ve been with people all morning on a moving train.
  • On writing about disaster: “My interest was in the tension. I didn’t want it to be a bloodbath.” But each character wonders, “Am I going to die?” And all of them have been “derailed” from the “predictable path” of their day.
  • On living in a diverse, multicultural society: “The train is a more interesting train if it has a wide variety of people on it.” (The train itself is a POV character in The Paris Express.)
  • On adapting one form to another: It’s “spinning the same yarn again.” She likes all forms, from novel to film to play to musical: “Whatever gets my story into your head.”
  • On her new project: A musical with traditional Irish music about people who emigrated from Antrim to Canada during the Famine.
  • On thinking about whether a book will sell: “I write books, then sell them….If you write a lot of things, one of them will pay the rent.”

Thank you, Emma, for your many books, and for visiting us in Western Massachusetts!

Quotations are from my notes, accurate to the best of my ability.

Speculative books ask “What if…?”

Most kids learn at least a little about genre in school; they can probably name a few, like mystery, historical, fantasy, and science fiction. I, too, was familiar with the traditional genre labels, until I took a workshop with Joyce Saricks, author of The Readers’ Advisory Guide to Genre Fiction, while I was working at the Robbins Library in Arlington. In her book, and in the workshop, she examined books through the lens of appeal factors, and divided them into the adrenaline genre, the intellect genres, the landscape genres, and the emotion genres.

I no longer have my original notes on the workshop, but I believe it was Joyce Saricks who used the term “speculative” as well, for books that ask “What if…?” Although she classifies fantasy as a landscape genre and science fiction as an intellect genre, both imagine worlds different from ours in some way. This, for me, is a reading sweet spot: not space opera or high fantasy (though I read those too), but a world that’s like ours, but with a twist: there’s time travel, or a coup changes the political landscape, or there’s been a climate catastrophe, or a lethal pandemic, or women are more powerful than men. Or humans have disappeared altogether! They are alternate histories, dystopias, or futuristic stories. These books challenge and stretch readers’ imaginations, encouraging us to place ourselves in that situation and imagine: What if?

Speculation has value as rehearsal; reading is a way to experience something and think through your responses and reactions without having to experience the situation in real life. Here are some of the speculative books I’ve enjoyed over the years. Some are lighthearted, some scary, some a little too close to reality for comfort.

NonfictionCover image of The World Without Us

  • The World Without Us
  • What If We Get It Right?

Fiction

  • Station Eleven by Emily St. John Mandel
  • The Time Traveler’s Wife by Audrey Niffenegger
  • This Time Tomorrow by Emma Straub
  • The Husbands by Holly GramazioCover image of The Husbands
  • Famous Men Who Never Lived by K. Chess
  • Parable of the Sower by Octavia Butler
  • The Future by Naomi Alderman
  • Stories of Your Life and Others by Ted Chiang
  • An Unkindness of Ghosts by Rivers Solomon
  • The Bone Clocks by David Mitchell
  • Beautyland by Marie-Helene BertinoCover image of Station Eleven
  • The Ministry of Time by Kaliane Bradley
  • Moonbound by Robin Sloan
  • The Night Bookmobile by Audrey Niffenegger

Fiction (in which things are very different for women, specifically)

  • The Handmaid’s Tale by Margaret Atwood
  • The Power by Naomi AldermanUS cover of The Power by Naomi Alderman
  • When She Woke by Hillary Jordan
  • Red Clocks by Leni Zumas
  • When Women Were Dragons by Kelly Barnhill

Young Adult

  • The Loneliest Girl in the Universe by Lauren James
  • Unwind by Neal Shusterman

Children’s

  • We Are Definitely Human by X. FangCover image of We Are Definitely Human
  • Journey by Aaron Becker
  • When You Reach Me by Rebecca Stead
  • We’re Not From Here by Geoff Rodkey
  • Finn and Ezra’s Time Loop Bar Mitzvah by Joshua Levy
  • The Color of Sound by Emily Barth Isler
  • The First State of Being by Erin Entrada Kelly
  • The Last Cuentista by Donna Barba Higuera

What are your speculative favorites? What do you like or dislike about the genre?

The art of the pivot

Last summer, I piloted “My First Book Club,” a program for rising kindergarten and first grade students and their grown-ups. It was successful at first, but attendance dropped off after the fall – partly, I think, because I had to alternate between the more popular Saturday morning time and Friday afternoons, which didn’t work as well for everyone. (If we had another Children’s Librarian who could also offer weekend programs…)

I decided our February book club would be the last one until summer, when I would run it again for a new group of rising K/1st graders. No one showed up for the program…but, there were plenty of kids and adults in the children’s room, so I invited them all in for a storytime instead. We read the same two books – Arihhonni David’s The Good Game and Who Will Win? – and used the coloring sheets I’d printed (a flying squirrel and a bat, characters in The Good Game), I just sprinkled in a few songs and rhymes as well: “Open Shut Them,” “The Itsy-Bitsy Spider,” and the Ella Jenkins version of “Head and Shoulders.”

So, instead of having a book club with zero attendance, I had a storytime with eleven kids and grown-ups, all of whom were pleased and grateful. With experience, it’s fairly easy to pivot from one program to a very similar one, even for a different age group – going from a music program to STEAM would be a different story – but in this case, it worked out for everyone!

STEAM Time

After nearly a year, Comics Club/Comics & Crafts had run its course, and it was time to try something new. I came up with STEAM (Science, Technology, Engineering, Arts, and Math) Time: once a week, kids in kindergarten through fifth grade can come and try out something new and different, from building challenges to puzzles to coding games to art projects.

Our first STEAM Time was a success! Nine kids of various ages showed up, and I presented the options: Robot Turtles (a board game that teaches the basic principles of coding) and Caesar ciphers (I had prepared several of these – from this PDF – with cardstock and brads for kids to create and decipher each other’s codes). As a backup option, I also brought Spot It, a picture-matching game.

Robot Turtles boxThree of the younger kids started with Robot Turtles, and the others began making codes for each other to decipher. I gave a basic explanation about how to use the Caesar cipher (or shift cipher), then helped the kids get Robot Turtles set up, then helped the ones who were having trouble figuring out the ciphers. (I think one thing that tripped them up initially was the letter-letter correspondence, rather than letter-number correspondence; the only number you need with this kind of cipher is the “shift,”; it’s not an A=1, B=2 kind of code.) But eventually, everyone figured it out, and then they could swap ciphered messages to decipher!

Meanwhile, back in Robot Turtle land, each kid got a chance to give instructions (the coder role) and follow instructions (the turtle role). And when the Caesar cipher kids got tired of (de)ciphering, they switched to a rousing game of Spot It!

Cover image of Mix It Up by Herve TulletIn the next few weeks, we’ll have a building challenge with blocks (we have both regular and life-size Jenga), a puzzle challenge (a 36-piece jigsaw with the picture showing, then upside down), penny boats, Snap Circuits, primary color painting (think Mix It Up!), and more. What STEAM activities do you like to do with kids?

What can you draw in six seconds?

Cover image of Lucky ScrambleThe kids’ graphic novel book club I started last fall is still going strong, with about 4-7 kids attending each month. This month we read Lucky Scramble by Peter Raymundo, about a kid named Tyler who goes to a Rubik’s cube competition. Our icebreaker question was “What’s your favorite kind of puzzle?” and a lot of the kids said “Rubik’s cube,” even though none of us could solve one. (I said word puzzles, like wordle, and it turns out all of the kids also do the NYT puzzles!)

We discussed the different characters and storylines, what we expected and what surprised us, parental pressure, and attitudes toward competition and winning. We each had a copy of the book for reference, and the kids are so good about citing page numbers so we can all be on the same page, literally.

I asked them what they thought they could do in six seconds – the length of time champion speed-cubers can solve a 3×3 – and that turned into “What can you draw in six seconds?” So we moved over to the tables, got paper and pencils, and tried it! Turns out, not much – but after having only six seconds to draw something, a minute feels like a long time! So we did a one-minute drawing, a two-minute drawing, and finally a five-minute drawing (during which one of the kids turned out a staggeringly impressive dragon drawing).

Cover image of Puzzled by Pan CookeLast, the kids voted on which book to read next. The choices were Curveball by Pablo Cartaya, Pebble & Wren by Chris Hallbeck, and Puzzled by Pan Cooke. The first two got one vote each and Puzzled got two votes, so that will be our February book – but all three books got checked out. It was a good afternoon!

2024 Reading Wrap-Up: That’s a lot of books

Looking back at my mid-year reading round-up, especially the picture book and middle grade categories, so many of these are still top of mind: books I recommend, put on displays, and use in storytimes. Looking back to last year’s wrap-up, the same holds true of most of the picture books as well, and plenty of middle grade (most especially Beth Lincoln’s The Swifts, Erin Bow’s Simon Sort of Says, and Sophie Escabasse’s Witches of Brooklyn series).

When I went to count up my total number of books read this year I did think at first I had made a math mistake, but no, the number is correct. And in fact, it doesn’t include all the re-reading (for example, the approximately 45 times I read Endlessly Ever After at Pajama Storytime, or vacation re-reading). Here is the usual breakdown and favorite titles in each category; again, these are books I read in 2024; some of them were published earlier. The titles I mention below are mostly those I read in the second half of the year, since others were already mentioned in the mid-year post. Anyway, on with the show! 

Total number of books read: 880. (Yeah, this is pretty unbelievable, and no, I’m not really sure how either.)

Reviewed for Kirkus: 23 (most of those not included in the total above)

Partially read/started-didn’t-finish: 20

Picture Books: 515howlittlelori

  • How Little Lori Visited Times Square by Amos Vogel: you think you know all the books Maurice Sendak ever illustrated, and then you discover this hilarious gem in a bookstore in Brooklyn. What a trip.
  • The Yellow Bus by Loren Long
  • The Pass by Sara Laux Akin
  • Sometimes We Fall by Randall de Seve
  • We Are Definitely Human by X. Fangsorryyougotmad
  • Remembering Rosalind Franklin by Tanya Lee Stone (NF)
  • All at Once Upon A Time by Mara Rockliff
  • No More Senora Mimi by Meg Medina
  • Noodles on a Bicycle by Kyo Maclear
  • The Island Before No by Christina Uss
  • I’m Sorry You Got Mad by Kyle Lukoff
  • Just What to Say by Kyle Lukoff
  • What Can A Mess Make? by Bee JohnsonCover image of What Can A Mess Make
  • Is A Book A Box for Words? by Harriet Ziefert
  • Hello, I’m A… (Meet the Wild Things) by John and Hayley Rocco
  • Just Us by Molly Beth Griffin
  • Small Things Mended by Casey W. Robinson

Early Readers and Chapter Books: 9gumluck2

  • The Story of Gumluck and the Dragon’s Eggs by Adam Rex
  • Pizza for Pia by Betsy Groban and Allison Steinfeld

Middle Grade: 147

  • The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriartyenigmagirls
  • Medusa (The Myth of Monsters) by Katherine Marsh
  • The Wild Robot by Peter Brown
  • The Girls of Skylark Lane by Robin Benway
  • AfterMath by Emily Barth Isler
  • The Enigma Girls by Candace Fleming (NF)
  • Not Nothing by Gayle Forman
  • Magnolia Wu Unfolds It All by Chanel Miller
  • Savvy by Ingrid Law
  • The Tenth Mistake of Hank Hooperman by Gennifer Choldenko
  • The Swifts: Gallery of Rogues by Beth Lincoln

Young Adult: 13whentheworldtipsover

  • Lies My Teacher Told Me: A Graphic Adaptation by James Loewen and Nate Powell (GN, NF)
  • It’s Okay If You Don’t Love Me by Norma Klein
  • When the World Tips Over by Jandy Nelson
  • Here I Am, I Am Me: An Illustrated Guide to Mental Health by Cara Bean (GN, NF)

Graphic Novels (overlap with other categories): 62

  • Hilda and Twig Hide from the Rain by Luke Pearsonhildatwig
  • Batcat: Sink or Swim by Meggie Ramm
  • Pets and Pests by Andy Warner (NF)
  • Woe: A Housecat’s Story of Despair by Lucy Knisley
  • Lies My Teacher Told Me: A Graphic Adaptation by James Loewen and Nate Powell (YA, NF)
  • Here I Am, I Am Me: An Illustrated Guide to Mental Health by Cara Bean (YA, NF)

Adult Fiction: 58

  • Remarkably Bright Creatures by Shelby Van Peltsandwich-newman
  • The Lost Boy of Santa Chionia by Juliet Grames
  • The Bright Sword by Lev Grossman
  • Sandwich by Catherine Newman
  • Ready or Not by Cara Bastone

Adult Nonfiction: 31

  • Sellout by Dan Ozzirebelgirl
  • Nice Try by Josh Gondelman (I’ve also enjoyed his wonderful weekly newsletter, That’s Marvelous)
  • A Heart That Works by Rob Delaney
  • The Genius of Judy by Rachelle Bergstein
  • Rebel Girl by Kathleen Hanna
  • Grief Is for People by Sloan Crosley
  • What If We Get It Right? by Ayana Elizabeth Johnson

Short stories/essays: 12

  • What If We Get It Right? by Ayana Elizabeth JohnsonCover image of What If We Get It Right
  • H Is for Hope: Climate Change from A to Z by Elizabeth Kolbert
  • Table for Two: Fictions by Amor Towles

“People who believe in a brighter future are more likely to put in the effort required to achieve it.” -Elizabeth Kolbert, H Is for Hope

Audiobooks (overlap with other categories): 16

  • Witchlings by Claribel Ortegabrontemettlestone
  • Nuts to You by Lynne Rae Perkins
  • Rewind by Lisa Graff
  • No One Leaves the Castle by Christopher Healey
  • The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty

Five-star ratings: 26

  • Gather by Kenneth Cadow (YA – won a Printz Honor)wearedefinitelyhuman
  • We Are Definitely Human by X. Fang (made me laugh)
  • Telephone of the Tree by Alison McGhee (made me cry)
  • Buffalo Brenda by Jill Pinkwater (just as good as I remember)

Re-reads: I really don’t have a good way to keep track of these. I re-read The Night Circus and The Great Believers on vacation, and I know we listened to The Swifts (both books) many times over, as well as all three Bronte Mettlestone books. And, as previously mentioned, Endlessly Ever After and dozens of other books I read aloud at storytimes.

homeinalunchboxWeNeedDiverseBooks: 189. Less than last year both in terms of numbers and percentage of the total, though I do suspect myself of undercounting/tagging.

Now we’re already well into 2025, with the ALA Youth Media Awards on the horizon (Monday, January 27 at 10am Eastern – later than usual because it’s happening in Phoenix, which is on Mountain Time). I’m sure I’ll dig back into some 2024 books I missed after the awards, and we’ve already got plenty of 2025 books to look forward to – from Curtis Sittenfeld, Libba Bray, Emma Donoghue, Kevin Wilson, Adam Rex, Kate Messner, Kyle Lukoff, and more. Which books are you looking forward to this year?

Stuffed Animal Sleepover

First things first: gratitude to the youth librarians on the statewide listserv, massyac, for their generosity in sharing tips and tricks for a stuffed animal sleepover program! Their collective advice was quick, clever, and invaluable, as usual. Being part of a profession whose core values include sharing really has its benefits!

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Above: Group shot! All the stuffed animals on the library boat (or in the ocean)

So, what’s a stuffed animal sleepover? Kids bring their stuffed animals to the library, leave them overnight, and pick them up the next day. While the cats (people) are away, the mice (stuffed animals) do play! They make friends with each other, take rides on the book cart, play with library toys, and snuggle up to listen to a story. At pickup time, each stuffed animal gets a little packet to take home with photos and a note about their overnight activities, and a library book recommendation, which they can choose to check out.

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Above: Three stuffed animals in rocking chairs read a picture book together

Here are the most important (and repeated) pieces of advice I received and used from massyac responses:

  • Allow more time than you think you need for setting up and taking photos; use an assistant if you can!
  • Collect information (kid’s name, stuffed animal’s name, adult’s contact info) at drop-off time, and attach a tag to each stuffed animal.
  • Make a take-home booklet, post to social media, or create a slideshow of photos

Thank you, massyac! I employed my nine-year-old as assistant, and she was an excellent helper. Staging and taking the photos didn’t actually take that much time – an hour or less. Creating the personalized book recommendations and packets, creating the photo album, and posting to social media took about two hours. If you wanted to save some time, you could do less personalization and give everyone the same booklet – it’s still fun!

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Above: All the stuffed animals snuggling on bean bags, reading a story together

At drop-off time, kids filled out a “sleepover permission slip” with information about their stuffed animals (name, personality, favorite book, a portrait), and a tag we tied on with ribbon. The favorite book question helped us decide which book(s) to recommend.

PXL_20241230_220042735

Above: Pigeon and Piggie play in the Lego bin

Miraculously, everyone who registered for the program showed up during the drop-off window, and everyone came to pick up their stuffed animals the next day! There was a waitlist for the program – again, on the advice of other librarians, I capped registration at 10 (and still ended up with 12) – so we’ll be doing it again in the spring, and those on the waitlist will get priority.

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Above: Grapes, Munchkin, and Peanut Butter hang out in a cool MagnaTile house

Overall, our first stuffed animal sleepover was a success! Have you hosted one at your library? What are your favorite tips and tricks? Is this the most adorable program, or what?

Passive programming

Which Dinosaur Are You? sticker votePassive programming, or self-directed programming, is a type of program that library patrons can participate in independently or with only minimal interaction with library staff. This recent SLJ article  mentioned several ideas, including collaborative art projects, community collections (show-and-tell), livecams and interactive displays, photo booths, play dates, polls, readers’ advisory activities, scavenger hunts, sensory gyms, and stuffed animal sleepovers.

Here are some self-directed programs I’ve offered over the past year+ in the children’s area of the library:Book Browse Bear

  • Coloring table with crayons and seasonal coloring pages
  • Seek-and-find with Shelly the Turtle: When kids find Shelly (a hand-puppet turtle), they get a hand stamp and the chance to hide her for the next seeker to find. (We used to have Inchy the Bookworm, but Inchy went permanently missing after a few months.)pom-pom voting station
  • Desk mailbox (“bear mail”) and answer wall
  • Play area with wooden boat and wave seats, MagnaTiles, chunky wooden puzzles, MegaBlox, a flannel board/magnetic board, activity cubes, and tic-tac-toe cushions; secondary play area with a train table and dollhouse. This will look different in every library depending what you have the space/budget for, but it shows that the library is a welcoming place to play, as well as a place to get books.
  • Sticker votes: These are great for all kinds of fun topics. We’ve done traditional fairytales vs creative retellings, Caldecott picks, and which dinosaur are you?
    Display of Caldecott contenders and stickers to vote
  • Summer reading scavenger hunt for familiar literary characters (Pete the Cat, The Princess in Black, Lunch Lady, Fancy Nancy, etc.). Kids who complete the hunt get a sticker or temporary tattoo for a prize. Working in teams is encouraged!
  • Winter vacation scavenger hunt for the animals from Brown Bear, Brown Bear, What Do You See?
  • Book buttons (reader choice and librarian choice): These are little laminated circles that can be taped to a book’s spine to show browsers that another reader recommends the book.Bear-shaped desk mailbox with beehive flag and scrap paper for writing notes
  • “Book Browse Bear”: A bear-shaped jar filled with book suggestions, color-coded by type of book (picture books, early readers, graphic novels, etc.).
  • Pom-pom polls: In the weeks before the U.S. presidential election, kids could vote for Gerald & Piggie or Frog & Toad for president/VP. (One grown-up, enviously: “Nice for the kiddos to have two good choices.”)
  • Caregiver cafe: Sort of like playgroup, but less structured; gives the adults a chance to socialize while the kids play in a safe area with age-appropriate toys and board books.Kid holding "I got a library card" photo frame
  • “I got a library card!” photo frame: I made this with a deaccessioned copy of Ramona and Her Mother, tissue paper, mod-podge, and posterboard, and I keep it at the children’s desk. When kids sign up for their first library card, I ask if they want a photo. Some say yes, some say no – either way is fine! I like to think that at least a few photos will be shared with family and friends to celebrate young readers, and if they give permission, we put it on the library’s social media too.
    Gratitude paper chain
  • Gratitude paper chain: For December, I’ve replaced the usual coloring pages on the coloring table with paper strips (made from a year’s worth of coloring table scrap paper). People draw or write what they’re grateful for on the paper strips and add it to our paper chain throughout the month.

Many/most of these ideas I’ve borrowed and adapted from other libraries that I’ve visited or read about (as in the SLJ article above). What self-directed programs do you like?

Choosing twelve (or twenty) “best” books

One of the professional journals I write book reviews for recently asked their reviewers to suggest the “best” books of the century so far (2000-2024). We each get to submit twelve (12) titles. If you are a book person you understand how impossible this is! I could easily pick twelve favorites in each youth format (picture book, chapter book, young adult, graphic novel, etc.) from this year alone, and it wouldn’t be easy – look at what Betsy Bird is doing over at Fuse8 with her incredible #31Days31Lists. And yet, here’s what I submitted (some officially, through the form, and others by email the next morning when I realized I had to include them, so yes, it’s a few more than twelve):

Picture Booksjourney
Journey by Aaron Becker
Lift by Minh Le and Dan Santat
Extra Yarn by Mac Barnett and Jon Klassen
If You Come to Earth by Sophie Blackall
School’s First Day of School by Adam Rex and Christian Robinson / On Account of the Gum by Adam Rex
Endlessly Ever After by Laurel Snyder and Dan Santat
Middle grade
Clementine by Sara Pennypacker
Dory Fantasmagory by Abby Hanlon
Greenglass House by Kate MilfordCover image of Clementine
Castle Hangnail by Ursula Vernon
The Girl Who Drank the Moon by Kelly Barnhill
Simon Sort of Says by Erin Bow
The Swifts by Beth Lincoln
Witches of Brooklyn by Sophie Escabasse
YA
Looking for Alaska by John Green
Graceling by Kristin Cashore

And what does “best” mean, anyway? Are we using award criteria (Newbery, Caldecott, etc.) or are we talking about the books that are our real favorites, that we read and re-read and recommend and foist on people as gifts?

Meanwhile, over on BlueSky, there’s a #BookChallenge to list twenty books that have been meaningful to you, one per day for twenty days. I’ve started off with children’s classics (The Golden Compass, A Wrinkle in Time, The Giver, The View From Saturday, Bridge to Terabithia), two poetry collections (To A Fault by Nick Laird and The Essential Rumi), speculative nonfiction The World Without Us by Alan Weisman, and picture book Alexander and the Terrible, Horrible, No Good, Very Bad Day, because some days are like that – even in Australia.

What are your best/favorite/desert-island books?