Data collection on banned and challenged books

You know when you are talking with someone and suddenly you wonder, “Wait, how did we get on this subject?” I like to be able to trace back to the original subject, as a kind of memory exercise. When the “conversation” isn’t with a person but is just you clicking from link to link on the Internet, the trail is a little easier to follow, thanks to tabs and the browser’s back button. Here was my path this morning:

All of the above links are worth reading, so I’ll only offer a very brief summary, and a few thoughts. The author of the 538 article, David Goldenberg, expressed frustration that (a) the ALA Office of Intellectual Freedom (OIF) would not hand over the raw data they collect on book challenges, and that (b) the quality of the data presented on the ALA’s site was not particularly granular or detailed and may not be statistically valid. For instance, a “challenge” might be a request to move a book from the children’s collection to the teen or adult collection, or it may be a demand that all copies of a book be removed from an entire library system. There’s a big difference between those two challenges.

In his reply to the 538 piece, Andy Woodworth delves into some of the issues behind challenge reporting and data collection. He writes that students in library school don’t learn they have an obligation to report challenges, that there may be external pressures not to report challenges, and that librarians simply may not know to report challenges. If they do report a challenge, though, there are more problems with the ALA-OIF itself: the amount of information required in the online challenge form is minimal, and the OIF does not have the budget or staff to chase down details or outcomes from the challenges that are reported. (The challenge form is also available as a PDF that can be printed, filled out, and faxed to the OIF. It’s certainly possible to find an e-mail address for someone at the OIF, but shouldn’t this be included as an option on the form?)

While I was in library school, I learned about the ALA’s Sample Request for Reconsideration of Library Resources, a form that can be adapted by any library and kept on hand in case of challenges. At both of the public libraries where I’ve worked, we have had this form ready to hand (though in my experience, challenges are exceedingly rare, at least at the adult reference desk; this is borne out by the ALA data – and many media reports – that show more challenges happen in school libraries than in public ones).

Should someone come to the reference desk with a challenge, I would be prepared with the reconsideration form. But what the form lacks, I noticed after reading Andy’s piece, is anything about reporting the challenge to the OIF. (On Twitter, Andy said he wrote it into the reconsideration policy at his library that “we reserve discretion to report challenges to the OIF.”) I don’t think it would hurt for library patrons to be aware of that, and it would remind library staff to take the extra step to report challenges when they do occur.

The granularity of the reporting, as Andy, David, and Jessamyn all pointed out, still leaves something to be desired. Every September, I put together a Banned Books Week display in the library and write about banned/challenged books and the freedom to read on the library blog. Every year, I’m frustrated by the ALA website, which, despite a redesign within the past five years, does not adhere to many of the web conventions and usability guidelines outlined in Useful, Usable, Desirable by Aaron Schmidt and Amanda Etches (about which more soon). The information architecture is convoluted and fragmented – there’s information on the ALA main site and a separate Banned Books Week website – the presentation isn’t as clear and attractive as it could be, and despite the existence of both sites, neither usually has the quality of data I want to present to our library patrons.

Both of these problems – the information itself and the organization of information – are especially vexing because information and organization is what we do. Furthermore, intellectual freedom is a core value of the library profession; Article II of the ALA Code of Ethics is “We uphold the principles of intellectual freedom and resist all efforts to censor library resources.” We need to do better, and it shouldn’t be that hard. We need to:

  • Raise awareness among library staff that reporting challenges is important and that there are ways to do it confidentially.
  • Collect more detailed data when possible and present it in as granular a fashion as possible, noting if necessary that not all reported challenges include the same level of detail.

It’s not rocket science. What are we waiting for?

Problem Novels or Resilience Literature?

speakLast month there was a snippet in EarlyWord that caught my eye; librarian Nancy Pearl interviewed YA author Laurie Halse Anderson. Anderson’s books, which tackle difficult but real topics such as rape (Speak) and eating disorders (Wintergirls), are occasionally targeted by those who wish to censor them. Pearl asked her about the “problem novel” label that is “often applied to books about teens dealing with real-life situations.” Anderson reframed the issue by calling these books “resilience literature” instead, “because the goal of the books is to help strengthen kids facing difficult situations.” I think that’s a beautiful and apt way to put it.

As my co-worker Rebecca wrote during Banned Books Week last year, “Books are safe spaces to experience new things. New thoughts. New ideas. Different points of view….Books teach us how to empathize with each other, how to stand up for the little guy, and how to recognize the bad guys in our lives….We experience strong emotion alongside our favorite characters – joy, catharsis, loss, excitement. Books are a safe way to learn about life, without all the painful bumps and bruises.”

There is a quote attributed to Mahatma Gandhi: “Your beliefs become your thoughts, your thoughts become your words, your words become your actions, your actions become your habits, your habits become your values, your values become your destiny.” Your thoughts become your words. Your words become your actions. Words are important, and labels are especially so. Anderson’s renaming “problem novels” to “resilience literature” is not only a more accurate term, it also casts these books, and the discussion surrounding them, into a more positive and constructive light.

Speak: Have you read books that fall into this category? What did you think of them?

Letter to the School Board of Strasburg (CO) High School

Two of John Green’s books, Looking for Alaska and Paper Towns, are being challenged at a high school in Colorado. They are two of the nineteen books (see list below) proposed for the elective course in young adult literature. Parents are petitioning the school board to change the book list. John Green is asking for letters in support of the teacher, who is standing by her curriculum. Here’s my letter:

To the School Board of Strasburg (CO) High School,

I am writing in support of the books in the new YA literature course, and in support of their authors, the teachers and librarians who wish to teach them, and the students who want to read them.

Parents have a right to decide what their own children read, watch, and listen to, but they do not have a right to dictate what other parents’ children read, watch, and listen to. Parents who object to the content of the books included on the YA course syllabus may choose not to allow their students to participate in the course, but they ought not be able to dictate to other parents, students, and teachers.

An earlier letter/petition to this Board asked, “How can students develop into strong and productive citizens when their minds are fed with that which is criminal and vile, crass and crude?” I would respectfully disagree with this characterization of the books included in this course. (I have read thirteen of the nineteen books on the list, including the two by John Green.) I would also argue that this question does a disservice to teens, as does the statement that “Teens have very impressionable minds.” Children and teens are able to tell right from wrong in life and in literature, and literature is one of the safest places to explore the gray area between the two. In her book Reading Magic, Australian author Mem Fox wrote, “The whole point of books is to allow us to experience troubled realities that are different from our own, to feel the appropriate emotions, to empathize, to make judgments, and to have our interest held. If we sanitize everything children read, how much more shocking and confusing will the real world be when they finally have to face it?”

Presumably, these same teens who may be denied access to and, crucially, guided discussion about, these YA novels are learning about “criminal and vile, crass and crude” events in their history classes. They have grown up with graphic images not just in music videos and magazines but on the nightly news. They are aware of the real horrors in the real world. Please don’t underestimate their ability to process literature – especially literature in which the characters are dealing with very real situations.

Fiction has a proven link with empathy*; if you truly want your students to develop into compassionate individuals with good judgment and strong character, you should be encouraging them to read and discuss the novels on this list, and many more besides.

Sincerely,

Jenny Arch
Librarian
Hampshire College, 2003-2007
Columbia Publishing Course, 2007
Simmons College Graduate School of Library and Information Science, 2010-2012

*See “The Neuroscience of Your Brain on Fiction” by Annie Murphy Paul for The New York Times, March 17, 2012

Young Adult Fiction Elective Course (grades 10-12) Book List:

  1. Feed by M.T. Anderson
  2. Thinner Than Thou by Kit Reed
  3. Delirium by Lauren Oliver
  4. Uglies by Scott Westerfield
  5. Taken by Erin Bowman
  6. The Curious Incident of the Dog in the Night Time by Mark Haddon
  7. The Fault in Our Stars by John Green
  8. Flowers for Algernon by Daniel Keyes
  9. Will Grayson, will grayson by John Green and David Levithan
  10. Go Ask Alice by Anonymous
  11. 13 Little Blue Envelopes by Maureen Johnson
  12. Paper Towns by John Green
  13. If I Stay by Gayle Forman
  14. Before I Fall by Lauren Oliver
  15. Thirteen Reasons Why by Jay Asher
  16. Looking for Alaska by John Green
  17. Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
  18. Clockwork Angel by Cassandra Clare
  19. The Lion, the Witch and the Wardrobe by C.S. Lewis