This year’s Massachusetts Library Association (MLS) Annual Meeting was at Fort Devens, where I have been many times – but only to play in ultimate frisbee tournaments. The meeting involved no cleats, frostbite, or heatstroke, which was an altogether different experience!
After a brief welcome from MLS Executive Director Sarah Sogigian and MLS Executive Board President Anna Bognolo (also the director of the Greenfield Public Library, which has a beautiful new building!), reporter Matt Shearer delivered a morning keynote full of short, funny videos of hyper-local news stories, such as the famous (in internet circles) story of one of the three Market Baskets on Boston Road closing in Billerica, and the sad tale of the Dunkin Donuts-less town of Stow, MA. Matt’s approach to reporting is, “I show up in small towns and try to find something cool.” After much exploring, he has concluded, “It is the people who make these towns special.” He says, “I’m trying to find the things that aren’t getting covered, the people whose voices aren’t getting heard.” And he recommended, when creating content, to have fun with it, and people will find it engaging.
The way that people respond to Matt’s videos – locally and more broadly, as many of his videos have gone viral – makes me think of the decrease in local news coverage over the past few decades, as local and regional papers fold, and people are left to rely on social media (e.g. Facebook, NextDoor) or national papers like The New York Times. This has contributed to a lack of trust in the print media, as there can be such a great distance between the issues that have a real impact on peoples’ day-to-day lives and the issues that national papers cover. Matt’s use of humor helps, too, and his genuine curiosity about people’s lives.
The business meeting was short and sweet, followed by an update from MBLC Director James Lonergan. He urged everyone to continue contacting state representatives to support library budget lines, all of which have seen increases recently. The focus next year will be on continued support for State Aid to libraries, and a bigger increase for the Massachusetts Center for the Book. Lonergan also mentioned MLS’ partnership with Unite Against Book Bans (MLS, MLA, and MSLA are all partners).
Uniting against book bans tied in nicely to William Adamczyk’s update from the MLA Legislative Committee. There was a hearing on Monday, October 30 that was relevant to several different library interests (you can watch it here), including library access to e-books and digital audiobooks, freedom to read, and protection against book bans. MLA has been working closely with MSLA and with EveryLibrary to have a funded, effective school library program and a licensed school librarian in every school in the commonwealth (see “The Top 5 Reasons for having a Licensed School Library Teacher in Every School“). The Massachusetts Teachers Association (MTA) is in full support of this effort. Another goal is for the MA Department of Elementary and Secondary Education (DESE) to designate a school library point person – someone who understands the importance and value of librarians in schools.
After lunch, it was time for MEG MEDINA! Yes, she’s caps-lock-worthy: she’s the National Ambassador for Young People’s Literature, a faculty member of the Hamline MFA program, and the author of Merci Suárez Changes Gears, which won the Newbery Medal in 2019. She has written two sequels to Merci, as well as picture books Mango, Abuela, and Me; Tía Isa Wants A Car; and Evelyn Del Rey Is Moving Away. Most recently she has contributed to Chelsea Clinton’s She Persisted series of biographies, with entries on Sonia Sotomayor and Pura Belpré.
Medina graciously answered questions from Christi Showman Farrar and Kristi Chadwick from MLS. Some excerpts from their conversation:
- When did storytelling start for you? When did you decide to become a writer? Medina’s family moved to the U.S. in the 1960s, due to political turmoil in Cuba; she believes that her family “used story to deal with the trauma of loss of homeland.” She did not begin writing fiction until she turned 40.
- How do you decide whether the story is a novel, a picture book…does the story tell you what it’s going to be or do you make that decision? A little of both. Tía Isa would have made a funny middle grade novel. “When you sit with a story for a second, your heart sort of tells you the piece of it that matters most, and that helps you navigate” what age to write it for. What matters to you the most in that moment about telling that story?
- When books are published simultaneously (or nearly) in English and Spanish, what is the translation process like? “We have all points of language” in Latino families, with some fluent in English, some in Spanish, some in both. Availability of books in both languages allow the family to experience the story together, in the language they’re most comfortable with. “More language is more people you can talk to.”
- What was your involvement in the graphic novel adaptation of Yaqui Delgado Wants to Kick Your Ass? Medina said it takes her a while when she sees visual representations of her work, even book covers, because the artist’s representation is always different from what she sees in her head. “I feel about graphic novels the way I feel about movies….This is a new generation and it’s a different art form….[I’m] glad it’s coming to a new generation of readers.”
- What was the research process like for Burn Baby Burn? “You think you remember everything accurately…you don’t!” It was fascinating to dig into the research, including the NOW archives at NYU, which covered the Women’s March in much more detail than The New York Times. She asked, “Who’s telling the story? And what was omitted?” and added, “That idea of not being erased is vitally important right now.”
- Question from a school librarian: How do you help teachers who are attached to classics understand that there is so much new talent? You’re not throwing away the classics, but nothing can become a classic if no one reads it. Medina suggested shelf talkers that pair the classic with the new, like Little House on the Prairie with Linda Sue Park’s Prairie Lotus. “Give people a way to think about those books. Give them a way to preserve both, if they must.”
Other questions and answers covered what it was like to get “the call” (from the Newbery committee), what she does in her role as the National Ambassador (“Book friend to America’s children”), outreach to Latino populations, how to get kids passionate about stories, and challenges to youth materials (she spoke to both the Senate and the House).
Thank you, Meg, for coming to our meeting, and for everything you do for children’s literature!
The brilliant Liza, who insists she is not an expert on comics (but who is totally an expert on comics, and is also an excellent teacher) started us off with a variety of hands-on activities to choose from, as part of her presentation on how to teach comics/graphic novels in school, and how to get teachers, administrators, and parents on board (because GRAPHIC NOVELS ARE REAL BOOKS; this is supported by research).
Visual supports: The award is for illustration, after all, so I wanted to create a visual environment to support our Mock Caldecott. Here are a few ways I did that:
To be quite upfront, the first picture book that jumped into my head in the “funny” category was Adam Rex’s On Account of the Gum, which I maintain is one of the all-time funniest books to read aloud, and which absolutely does not get old, no matter how many times you read it. Though adults tend to think of picture books as being for little kids, this one appeals just as much or more to older kids, and even teens and adults; they can use the rhyme scheme to anticipate what’s coming next, and they have more context (e.g. they know what Picture Day is). But littles enjoy the over-the-top illustrations and the pattern and flow of the story…it’s just, hands-down, a brilliant read-aloud. Rex also wrote Pluto Gets the Call, illustrated by Laurie Keller (just think about the title for a minute) and School’s First Day of School, illustrated by Christian Robinson. (This book, narrated by a brand-new school building, contains the phrase “nose milk.”) Rex is a funny guy, but let’s move along…
I Don’t Want to Be A Frog by Dev Petty, illustrated by Mike Boldt, is told entirely in dialogue between a young frog (who, you guessed it, would rather be a rabbit or an owl or a pig or anything but a frog), their dad, and…I won’t give it away, but this book really lends itself to the read-aloud experience, and it has delightful companions (I Don’t Want to Go to Sleep, I Don’t Want to Be Big, and There’s Nothing to Do). Dev Petty also wrote Claymates, which has some of the most unique illustrations (by Lauren Eldridge) I’ve ever seen, and plenty of humor.
If you can hear the title Wolfie the Bunny and NOT want to read that book immediately, then we probably don’t have much in common. Ame Dyckman’s words paired with Zachariah Ohora’s illustrations absolutely live up to the promise of the title. In a neighborhood based on Park Slope, Brooklyn, a family of rabbits finds a wolf pup on their doorstep, but only little Dot is freaked out by the new addition to the family (“He’s going to eat us all up!”).
Zachariah Ohora also illustrated Tyrannosaurus Wrecks! by Sudipta Bardhan-Quallen. (Every list of picture books has to have a dinosaur book, right? Pretty sure that’s a rule.) This is a sure-bet hit for the toddler and preschool set, and there’s a sweet social-emotional learning (SEL) component in addition to the slapstick humor. (While we’re talking about Zachariah Ohora, he also illustrated Who Wet My Pants? by Bob Shea, another very funny book, despite its serious-sounding title.)
Deborah Underwood and Claudia Rueda’s “Here Comes…Cat” books (Tooth Fairy Cat, Valentine Cat, etc.) star a cat that only communicates through signs (sometimes with words, often with images), facial expressions, and body language. The narrator is in dialogue with the curmudgeonly cat, and these books definitely tickle my funny bone; Valentine Cat makes an appearance at our house every February.
Jenny Offill has produced such delightful gems as Sparky! (a book about a girl and her pet sloth; just look at the juxtaposition between the name – with an exclamation point! – and the sloth on the cover), While You Were Napping, 11 Science Experiments That Failed, and 17 Things I’m Not Allowed to Do Anymore. The titles are descriptive enough, I think, and any grown-up who has read Offill’s books for adults is in for something completely different with these.
A Hungry Lion, Or, A Dwindling Assortment of Animals by Lucy Ruth Cummins: The sheer genius of this title, oh my goodness. And the vocabulary. And the smile on the little turtle’s face. And the moment the lights go out. And the double twist ending. And, and, and….If you liked the slightly macabre humor of Jon Klassen’s I Want My Hat Back but you haven’t read this, go ahead and remedy that now.
Grumpy Pants by Claire Messer: “I’m grumpy,” declares a little penguin, and it tries a number of solutions to improve its condition, finally stripping off its clothes piece by piece and diving into a nice cold bath. Children (and adults, too!) might find that a bath, clean clothes, and a cup of cocoa are just the thing to soothe a grumpy mood.
Still Stuck by Shinsuke Yoshitake: You’re getting undressed and your shirt gets stuck over your head – it’s happened to everyone, right? It happens to this kid, who definitely does not want assistance from Mom, and decides to accept their new state. In their imagination, they spin out what life will be like with a shirt over their head. Despite the kid’s adaptability (or resignation), Mom does swoop in to move the bedtime process along, but there’s another snag when it’s time to put on pajamas.
There Might Be Lobsters by Carolyn Crimi, illustrated by Laurel Molk: Poor little Sukie is afraid of everything at the beach, but when beloved toy Chunka Munka is swept out to see, Sukie must find her courage. This is an excellent read-aloud for summer storytimes for all ages – get kids to repeat the titular refrain together – and if you happen to have props with you for this read-aloud (a stuffed lobster, say, or a beach ball) all the better.
The Oboe Goes BOOM BOOM BOOM by Colleen AF Venable, illustrated by Lian Cho: A band director introduces instruments one by one, but little Felicity just can’t wait to bang on the drums and keeps interrupting – until she’s blown away by the sound of the tuba. There’s actually quite a lot of information in here about different instruments, and the way that Cho translates sound into a visual medium is outstanding.
I Am Not A Penguin: A Pangolin’s Lament by Liz Wong: A poor pangolin wants to give a presentation, keeping its cool while confused audience members interrupt, until a penguin arrives to steal the show. One little girl remains for the pangolin’s informative presentation. (See also: The Angry Little Puffin by Timothy Young, which taught me permanently that penguins live “at the bottom of the world” (i.e. Antarctica) while puffins live “at the top of the world.”)
King Baby by Kate Beaton might be funnier for adults than for kids, but kids enjoy it too; it’s one of my go-to recommendations for families who are about to add a sibling. And let’s not forget Beaton’s other picture book, the crowd-pleasing The Princess and the Pony (pony farts feature prominently).
Bathe the Cat by Alice B. McGinty and David Roberts: A cat who definitely does not want a bath scrambles up a family’s to-do list as they rush to tidy before grandma arrives. Clever use of fridge magnet alphabet letters, plenty of pride, and increasingly ridiculous tasks all add to the joyful hilarity.
We Don’t Eat Our Classmates by Ryan T. Higgins: Pink, overalls-wearing Penelope is nervous about the first day of school, and indeed, it doesn’t go as well as she’d hoped…she discovers that it’s hard to make friends when everyone is afraid you’ll eat them. Penelope learns to exercise self-control with the help of Mrs. Noodleman and a fearless goldfish named Walter.
Jenny Arch 