The School Library Journal (SLJ) Day of Dialog at the Cambridge Public Library was a day-long event that brought librarians, authors, and publishers together. The day included:
- Three keynote speakers: Erin Entrada Kelly (Hello Universe), Deborah Heiligman (Torpedoed), and Nikki Grimes (Ordinary Hazards)
- Three panels: picture book, nonfiction, and tween/teen
- Two “book buzz” presentations, where representatives from different publishers gave lightning talks highlighting their upcoming books
There was an hour break for lunch, and a few minutes between the keynotes, panels, and book buzzes to speak with folks from the publishing houses, meet authors, and get books signed. It really felt like we were all book-lovers, all on the same side: the side of making great books and getting them into the hands of readers.
Highlights from Erin Entrada Kelly’s keynote, which focused on honesty in middle grade literature:
- The most important thing is to write honestly; it’s important for young readers to experience practical truths
- In Blackbird Fly, bullies don’t get comeuppance. “A lot of times that does not happen…That’s how the real world works.” It’s important for young people to see the world mirrored back at them.
- Young people are already their own complex beings with their own beliefs
- “My hope is that young readers, when they finish reading my book” or any book, is that they can be their own hero, see their own worth and value…they don’t have to conform to our society.
- “Walking around like an open wound” -being sensitive, empathetic, compassionate, etc. – is not a liability, as long as you’re the best version of yourself. “Characters don’t change the core of who they are, they accept the core of who they are.”
- “Even though the world isn’t perfect, we can make it better….Change happens when ordinary people do extraordinary things”
- “Someone once told me, Everyone has a year in their childhood where things change, and there was a before and an after…for me that year was twelve.”
The picture book panel was Julia Denos, E.B. Goodale, Kyle Lukoff, Vita Murro, and Cornelius Van Wright. I was already a fan of Julia Denos and E.B. Goodale’s picture book Windows, and was delighted to pick up their new collaboration, Here and Now, which is a wonderful book for bedtime or any time you need to wind down. Kyle Lukoff (When Aidan Became A Brother) and Vita Murrow (Power to the Princess) were engaging speakers, and Cornelius Van Wright’s (The Little Red Crane) response to the question “How would your book have been different a decade ago?” made me laugh out loud: “A truck book would have been the same.” The moderator’s last question was what the authors’ favorite books were when they were kids, and if those influenced the kinds of books they create now.
In the first book buzz, I wrote down several titles from Candlewick and Charlesbridge to look up when they come out, including This Boy by Lauren Myracle and Not A Bean by Claudia Guadalupe Martinez. I also chatted with the editorial director of Owl Kids about Sloth at the Zoom, which was on the cover of one of their catalogs. (If you haven’t read Sloth at the Zoom, you should go do that right now. It’s about a sloth that gets sent to the Zoom instead of the Zzzzzoo.)
After lunch, Deborah Heiligman gave the afternoon keynote, about the process of writing her new book, Torpedoed. (See her interview in the Horn Book: Deborah Heiligman Talks With Roger.) She talked about “Deb’s Rules for Researching”: start with primary sources, don’t write everything down, only take “oh wow” notes. She also talked about writing for middle grade: what does that mean? What do they know, what don’t they know?
The nonfiction panel was Kim Chafee (Her Fearless Run), Marge Pellegrino (Neon Words), Melissa Stewart (Seashells, Feathers), and Carole Boston Weatherford (Box). The moderator, Maggie Bush, observed that children’s nonfiction used to be more “utilitarian,” whereas now it’s often more heavily illustrated, and there are more narrative nonfiction books than the type of dry fare students might use for book reports. One of the authors – I think Melissa Stewart – explained that her picture book nonfiction has “Multiple layers of text” to “make the book accessible to different age groups.” There’s the main text, secondary text, etc. I’ve definitely noticed this in picture book nonfiction (e.g. Gail Gibbons, Nick Seluk), and it’s great.
The teens & tweens panel was Craig Battle (Camp Average), Ryan LaSala (Reverie), Maulik Pancholy (The Best At It), Christina Soontornvat (A Wish in the Dark), and Karen Rayne (Trans+). Moderator Ashleigh Williams observed a “a common theme between these different books…how compassion shows up in difficult places.” All of the authors spoke about representation and diversity. A few key quotes:
- Christina Soontornvat: “In your middle grade years, you are really ready to confront…Maybe it’s not working the way it should….maybe the way society is set up is not fair”
- Maulik Pancholy: “Kids live complex lives…you can’t lie to them.”
- Ryan LaSala: Internal fantasy worlds are sometimes a response to unkind realities… “just because you’ve gone through shit doesn’t mean you are absolved from having compassion for others”
- Christina Soontornvat: “One small act of kindness or one small act of cruelty has these reverberating impacts”
- Karen Rayne: “You are the expert on your self.”
- Christina Soontornvat: Kids are eager to push back, ask questions, be activists, be aware of the world they’re living in, they want to be more inclusive.
I got fidgety during the second book buzz and went to visit the publishers’ tables. The last speaker of the day was Nikki Grimes. Highlights:
- A tenth grade teacher told her “Good enough, isn’t” and taught her to strive for excellence.
- “The words you traffic in have the power to save lives….reading and writing were my survival tools”
- “The right story at the right time for the right reader is magical.” What is the right story? One to which the reader can relate in some special way.
- Representation matters, and not just for children
- Library card: “a magic pass I used to climb into someone else’s skin any time I needed”
- “Stories unite us, stories transform us, stories anchor us”
Thank you to SLJ and the Cambridge Public Library for a fantastic day! I’m already looking forward to next year.
Whitney Scharer was up first, showing slides and then reading from her debut novel about Lee Miller, known as a model for Vogue and surrealist Man Ray’s muse, though she was a photographer in her own right, and co-inventor of the technique of solarization. (Aside: Every student should have a project like the one mentioned in Meg Wolitzer and Holly Goldberg Sloan’s new middle grade novel, To Night Owl From Dogfish, “Give the right person the credit.”) Scharer discovered Miller at an exhibit featuring Man Ray at the Peabody Essex Museum in 2011, and was interested in the two of them “being in love and making art together.” (Miller went on to be a war reporter; she reminded me of Robert Capa’s partner, Gerda Taro, who was killed while documenting the Spanish Civil War.) Scharer read a scene from her novel in which Miller describes what she calls “wild mind”: her ability to set any expression on her face while modeling, yet thinking of anything she wants, setting her mind free. The scene (possibly the whole novel?) was in present tense.
Next, Jenna Blum (The Stormchasers, Those Who Save Us) talked about and read from her new novel, The Lost Family, set in New York and centered around a Holocaust survivor, Peter, who lost his wife and daughters. He now owns and runs a restaurant called Masha’s, after his late wife, and has sworn not to get involved with anyone again – but, of course, he does. The novel is about Peter and his second wife and their daughter, “a whole family trying to put its arms around a loved one’s PTSD.” Blum didn’t have slides, but she did share a cocktail of her own invention, and cream puffs called “Masha’s Little Clouds”; she said that she invented and kitchen-tested all the menu items in the book.
Finally, Christopher Castellani (A Kiss From Maddalena, The Saint of Lost Things, All This Talk of Love) talked about his newest novel, Leading Men, which imagines a party thrown by Truman Capote in Portofino in 1975, the guests, and the aftermath. Castellani said that people always want to know “how much is true and how much is not true,” so he explained that the party did happen, and that Tennessee Williams and his lover Frank Merlot really were invited, but that Williams’ journal does not mention the party in the days or weeks following it. Using both “real and invented people,” Castellani imagined and invented “between the cracks of what was known about these people.” Merlot is his main character; Williams isn’t a “point of view character” largely because he is too well-known, has written and been written about too much; Merlot, though not obscure, is less of a known quantity. Castellani admitted that it was daunting to write dialogue for characters like Capote and Williams; he would often use an “anchor quote” from their writings in order to get the tone of the dialogue and scene, and would sometimes remove the “scaffolding” once the scene was finished.











Despite “winter storm Toby,” PLA went more or less as planned. Over the next week or so, I’ll be condensing and revising my sixteen (16) pages of notes into a more easily readable, digestible format to share here, but for now, here is an outline of my conference activities:




Throughout the conference, I met library people from all over. I tried to strike up conversations everywhere, and met people from Grand Forks, North Dakota; Peterborough, New Hampshire; The Portland (ME) Public Library; Arkansas; New York (the Brooklyn Public Library and the NYPL); and Calgary, Canada. The Convention Center itself was also great: easy to navigate, pretty temperate (many conference centers are either overheated or like refrigerators), and full of art. And the section of Philly where it’s located is on that lovely, lovely grid, which makes it so easy to get around. Overall, a great conference!
